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The San Marco Altarpiece (also known as Madonna and Saints) is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder , and was completed sometime between 1438 and 1443.
Domenichino, religious art includes his Saint John the Evangelist [186] [187] and Adoration of the Shepherds, [188] [189] [190] Donatello, Italian Renaissance sculptor whose religious artworks include Saint Mark, [191] The Feast of Herod, [192] and Judith and Holofernes [193] François Duquesnoy, did statues for St. Peter's Basilica [194]
Annalena Altarpiece with predella by Fra Angelico, c. 1438–40 (frame removed), sometimes considered the "first" instance of the sacra conversazione format [1]. In art, a sacra conversazione (Italian: [ˈsaːkra koɱversatˈtsjoːne]; plural: sacre conversazioni), meaning "holy (or sacred) conversation", is a genre developed in Italian Renaissance painting, with a depiction of the Virgin and ...
Renaissance art, heavily influenced by the "rebirth" (French: renaissance) of interest in the art and culture of classical antiquity, initially continued the trends of the preceding period without fundamental changes, but using classical clothing and architectural settings which were after all very appropriate for New Testament scenes.
The Resurrection of Christ (1499–1502), also called The Kinnaird Resurrection (after a former owner of the painting, Lord Kinnaird), is an oil painting on wood by the Italian High Renaissance master Raphael. The work is one of the earliest known paintings by the artist, executed between 1499 and 1502.
The Resurrection is a fresco painting by the Italian Renaissance master Piero della Francesca, painted in the 1460s in the Palazzo della Residenza in the town of Sansepolcro, Tuscany, Italy. Piero was commissioned to paint the fresco for the Gothic -style Residenza , the communal meeting hall. [ 1 ]
The Mond Crucifixion or Gavari Altarpiece is an oil on poplar panel dated to 1502–1503, making it one of the earliest works by Italian Renaissance artist Raphael, perhaps the second after the c.1499-1500 Baronci Altarpiece.
In the painting, four saints are shown: two sets of paired male and female saints. Furthest to the left of the composition is Saint Peter (pictured carrying the bible and the keys of heaven ). [ 11 ] [ 10 ] Saint Peter is also seen with a yellow-orange mantle, which was finished with an arsenic sulfide mineral pigment. [ 14 ]
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