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This song is described in the liner notes of the album—its interior and back cover—in two ways: by the actually-sung lyrics, and; by the narrative of the song's Protagonist—identified as "Anonymous, 2112"—quoted and italicized like entries from a personal journal—on the back cover and before the lyrics of all songs except "Overture" and "Grand Finale".
2112 was released to favourable reviews from music critics and quickly outsold the band's previous albums. Rush toured the album extensively in 1976 and 1977, which culminated in their debut concerts in Europe. 2112 remains the band's second-highest-selling album behind Moving Pictures with more than
"A Passage to Bangkok" is a song by Canadian rock band Rush, released in March 1976 by Anthem Records. The song appears on the band's fourth studio album 2112 (1976). [3] With the album's title track comprising the first half of the record, "A Passage to Bangkok" opens the second side of the album (on the original LP and audio cassette).
Music video; on YouTube ... It appears on their 1976 album 2112. It is the first Rush song to feature the Mellotron, played by Hugh Syme. [2] Background
Alternate recordings of "2112" and "Something For Nothing" from the June 11–13 performances were released as part of the 2112: 40th Anniversary box set in 2016. According to the liner notes, All the World's a Stage marks the end of the "first chapter of Rush" and would begin a trend of Rush releasing a live album after every four studio ...
A third live album and video, A Show of Hands (1989), was also released by Anthem and Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush ...
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"The Twilight Zone" is the third track on Rush's album 2112. It was the last track written and recorded for the album. It was the first single to be released from 2112.As with most Rush songs, the lyrics are written by Neil Peart, and the music by Geddy Lee and Alex Lifeson.
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