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Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
Galgenlieder (Gallows Songs) for Saxophone Quartet and Choir (2014)—Lera Auerbach; Galgenlieder (Gallows Songs) for Saxophone Quartet and Children Choir (2015)—Lera Auerbach; I Saw Eternity for Soprano Saxophone and TTBB Choir (2012)—Paul Mealor; Making or Breaking for Soprano Saxophone and SSAATTBB Choir (2015)—Kim André Arnesen
Op. 99: Duet for alto saxophone and cello (1999) Op. 104: Concerto for two pianos and percussion (2002) Op. 106: Suite for viola, alto saxophone, piano and bass (2002) Op. 107: Variations on "Sweet Georgia Brown" for viola, alto saxophone, piano and bass (2002) Op. 124: Suite for cello solo (2004) Op. 125: Sonata for flute and piano (2004)
Set of Patriotic Duets (violin and cello) Gentle Light (piano trio) Rhapsody (violin and piano) Five Miniatures (alto saxophone and mallet percussion) Strange Birds (chamber suite for flute, piano and marimba) Through primrose tufts... (string quartet) Out in Front (jazz sextet) Austin-tatious (jazz sextet)
Sheet music for the song "Oregon, My Oregon" Sheet music can be used as a record of, a guide to, or a means to perform, a song or piece of music. Sheet music enables instrumental performers who are able to read music notation (a pianist, orchestral instrument players, a jazz band, etc.) or singers to perform a song or piece. Music students use ...
David Sanborn – saxophone (6) Gary Bias – saxophone (10) Reggie Young – trombone (10) Arturo Sandoval – trumpet (2) Gary Grant – trumpet (10) Jerry Hey – trumpet (10), horn arrangements (10) William Ross – string arrangements and conductor (2, 8, 13) Jorge Calandrelli – string arrangements and conductor (12)
Duets have always been a part of the structure of operas. Early 16th-century operas such as L'Orfeo and L'incoronazione di Poppea involve duets throughout the performance. In 17th-century Italy duets were often used in comic scenes within serious operas. In Baroque France the duet was popular in tragedies, such as songs of vengeance and ...
According to the sheet music published by Dirk Music, "Here We Go Again" is set in 12/8 time with a slow shuffle tempo of sixty-nine beats per minute. The song is written in the key of B ♭ major. [19] It is primarily a country song, [20] but contains gospel influences. [21]