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David Justin Hayward [1] [2] OBE (born 14 October 1946) is an English musician. He was the guitarist and frontman of the rock band the Moody Blues from 1966 until that group's dissolution in 2018. He became the group's principal vocalist and its most prolific songwriter over the 1967–1974 period, and composed several international hit singles ...
All songs written by Justin Hayward (except as noted). "Tuesday Afternoon" "It's Up To You/Lovely To See You" "In Your Blue Eyes" "The Western Sky" "You Can Never Go Home" "Watching And Waiting" "I Dreamed Last Night" "One Day, Someday" "The Eastern Sun" "December Snow" "What You Resist Persists" "Your Wildest Dreams"
The album was recorded in Genoa in Italy and in Nashville. On it, Hayward explores new areas – country and bluegrass on tracks like "What You Resist Persists", "Broken Dream" from The View from the Hill and "It’s Cold Outside of Your Heart" from The Moody Blues' 1983 album The Present.
Justin Hayward (formerly of Marty Wilde's band) joined on guitar and vocals and John Lodge (an early bandmate of Ray Thomas) joined on bass and vocals. [5] The 'classic' Moody Blues lineup, active from 1966 to 1978, from left to right: Mike Pinder, Graeme Edge, Justin Hayward, Ray Thomas and John Lodge.
"Running Water" is a ballad that is highlighted by Hayward's "gentle" acoustic guitar and the synthesized orchestrations. [2] Music journalist Geoffrey Freakes felt that the keyboard refrain sounds a little like the Moody Blues song "The Day We Meet Again", also written by Hayward, from the 1978 album Octave. [2]
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In a 1996 interview, Hayward discusses making the album and how it was his first time recording an album from start to finish as a single batch of songs. He explains, "My other albums were collections of random bits of recording that I would finally put out once I had an album's worth of material.
The song is a ballad based on Hayward's acoustic guitar. [2] Allmusic critic Lindsay Planer described it as an example of the band's "slightly folksier sound." [ 5 ] Moody Blues biographer Marc Cushman described the song as a "gentle and lovely song [that] is surprisingly punctuated by louder-than-expected drum rolls from Graeme Edge . [ 6 ]