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Old-school hip hop (also spelled old skool) (also known as disco-rap) is the earliest commercially recorded hip hop music and the original style of the genre. It typically refers to the music created around 1979 to 1983, [ 1 ] as well as any hip hop that does not adhere to contemporary styles.
The term golden age hip hop frames the late 1980s in mainstream hip hop, [20] said to be characterized by its diversity, quality, innovation and influence, [21] and associated with Public Enemy, KRS-One and his Boogie Down Productions, Eric B. & Rakim, Ultramagnetic MCs, [22] [23] De La Soul, A Tribe Called Quest, and the Jungle Brothers [24 ...
In the 1970s, DJ Hollywood became known for DJ sets during which he addressed the audience with rhythmic call-and-response segments. In contrast to earlier MCs like Coke La Rock, who simply spoke over backing tracks, DJ Hollywood incorporated rhythm and rhyme into his sets, which has led him to be described as the progenitor of "hip-hop-style rapping" by figures such as Kurtis Blow and author ...
The B-Boys are an American old-school hip hop group, consisting of rappers Donald D, Brother-B, and formerly DJ Chuck Chillout.They were signed to Vincent Davis' Vintertainment label in the United States and Morgan Khan's Streetwave label in the United Kingdom.
The series takes place in 1977 New York City and follows the genesis of the DJing, B-boying, graffiti, and emceeing, the four element cultures of hip-hop. After the premiere of The Get Down, Netflix premiered Hip-Hop Evolution, a music documentary discussing the history of hip hop in which Grandmaster Flash talks about the evolution of his art.
KDAY was resurrected on 93.5 FM on September 20, 2004, offering a rhythmic contemporary format that emphasized old school hip hop, a nod to its AM heritage. [12] In April 2006, KDAY began moving away from rhythmic contemporary and toward an urban contemporary approach as the station refocused its target audience toward African Americans.
The Treacherous Three was a pioneering American hip hop group that was formed in 1978 and consisted of DJ Easy Lee, Kool Moe Dee, L.A. Sunshine, Special K and Spoonie Gee (who left in the late 1970s), with occasional contributions from DJ Dano B, DJ Reggie Reg and DJ Crazy Eddie.
It was adopted by New York City hip hop DJs such as Grand Wizard Theodore and Afrika Bambaataa in the 1970s. As they experimented with the SL-1200 decks, they developed scratching techniques when they found that the motor would continue to spin at the correct RPM even if the DJ wiggled the record back and forth on the platter. [14]
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