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The Harlem Renaissance, also known as the New Negro Movement, was a cultural, social, and artistic explosion centered in Harlem, New York, and spanning the 1920s. This list includes intellectuals and activists, writers, artists, and performers who were closely associated with the movement.
Other notable black persons he photographed are Countee Cullen, a poet and writer who was associated with the Harlem Renaissance; Josephine Baker, a dancer and entertainer who became famous in France and was known for her provocative performances; W. E. B. Du Bois, a sociologist, historian and civil rights activist who was a leading figure in ...
May Miller (January 26, 1899 – February 8, 1995) [1] was an American poet, playwright and educator.Miller, who was African-American, became known as the most widely published female playwright of the Harlem Renaissance and had seven volumes of poetry published during her career as a writer.
Oscar Hammerstein II – writer and theatrical producer [1] W. C. Handy – composer and bandleader; lived on Strivers' Row in Harlem towards the end of his life [34] Benny Harris – musician, trumpet [63] Lorenz Hart – lyricist [1] Johnny Hartman – vocalist; born in Louisiana, grew up in Chicago, moved to Harlem's Sugar Hill in 1950s
Marita Bonner (June 16, 1899 – December 7, 1971), also known as Marieta Bonner, was an American writer, essayist, and playwright who is commonly associated with the Harlem Renaissance. Other names she went by were Marita Occomy, Marita Odette Bonner, Marita Odette Bonner Occomy, Marita Bonner Occomy, and Joseph Maree Andrew.
Jean Toomer (born Nathan Pinchback Toomer; December 26, 1894 – March 30, 1967) was an American poet and novelist commonly associated with the Harlem Renaissance, though he actively resisted the association, and with modernism.
In 1926, having made friends with important figures in the Negro Awakening (which became known as the Harlem Renaissance), Larsen gave up her work as a librarian. [10] She became a writer active in Harlem's interracial literary and arts community, where she became friends with Carl Van Vechten, a white photographer and writer.
She retired from the New York Public Library in 1966. In 1968, Anderson was a consultant for the Metropolitan Museum of Art's exhibit Harlem on My Mind. Later, Anderson wrote The Black New Yorkers partially due to her experience working on that exhibit. [9] [13] Anderson outlived virtually all of the other members of the Harlem Renaissance.