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An American Werewolf in London was released in the US by Universal Pictures on August 21, 1981. It was a critical and commercial success, winning the 1981 Saturn Award for Best Horror Film and makeup artist Rick Baker winning the inaugural Academy Award for Best Makeup. Since its release, it has become a cult classic. [7] A sequel, An American ...
That gives him enough time to strike up a romance with British nurse, Alex Price (Jenny Agutter), who is drawn to the doomed American. "We were editing as we were shooting in London, and weren't ...
An American Werewolf in London: Nurse Alex Price Nominated – Saturn Award for Best Actress: 1984 Secret Places: Miss Lowrie 1989 Dark Tower: Carolyn Page 1990 King of the Wind: Hannah Coke Child's Play 2: Joanne Simpson Darkman: Burn Doctor Uncredited Cameo 1992 Freddie as F.R.O.7: Daffers 1995 Blue Juice: Mary Fenton 2001 The Parole Officer ...
"Moondance" is one of the moon-themed songs used in An American Werewolf in London, a comedy-horror film released in 1981. [16] It is heard during the sex scene between David Naughton (as David, the young man bitten by a werewolf) and Jenny Agutter (as Alex, his nurse and eventual girlfriend).
And in “An American Werewolf in London,” when David Naughton stared at his mutating hand, practical effects, ... But as designed by Alex Gillis and Tom Woodruff Jr., they also look like they ...
An American Werewolf in Paris [a] is a 1997 comedy horror film directed by Anthony Waller, screenplay by Tim Burns, Tom Stern, and Waller, and starring Tom Everett Scott and Julie Delpy. It follows the general concept of, and is a sequel to, John Landis 's 1981 film An American Werewolf in London .
Alexandra Luise Wubbels [2] (née Shaffer; born January 23, 1976) is an American nurse and former Olympian.As an alpine ski competitor, she was the national champion in both the slalom and giant slalom in 1999, and competed in the 1998 and 2002 Winter Olympics as Alex Shaffer.
Allison Tolman plays newly promoted supervising nurse Alex, at the center of things in terms of action and authority, and more or less the stand-in for the viewer.