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A nang drama player and puppet. Nang yai (Thai: หนังใหญ่, pronounced [nǎŋ jàj]) is a form of shadow play found in Thailand. Puppets are made of painted buffalo hide, while the story is narrated by songs, chants and music. [1] Nang means "leather" ("leather puppet" in this case), and in common usage refers to a dance-drama ...
A traditional nang talung shadow puppetry stage in southern Thailand, as installed in the Institute for Southern Thai Studies, near Songkhla. Southern Thailand's puppets are made of leather and are typically between 15 and 50 centimeters in size. The performance consists of the puppets, the narrator, the actor, and the musician.
Shadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures (shadow puppets) which are held between a source of light and a translucent screen or scrim. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing.
Wayang shadow plays are usually tales from the two major Hindu epics, the Ramayana and Mahabharata. The puppet master contextualizes stories from the plays, making them relevant to current community, national, or global issues. Gamelan players respond to the direction of the dalang. Gallery of wayang kulit
The two main genres are Sbek Thom, which features the Reamker, and Sbek Toch, which uses smaller puppets and a wide range of stories. Another genre called Sbek Por uses colored leather puppets. The shadow plays of Cambodia are closely related to and also resemble the shadow plays of Thailand (Nang yai and Nang talung), Indonesia (Wayang and ...
The history of the legends was told in the shade theater (Thai: หนัง, Nang), a shadow-puppet show in a style adopted from Indonesia, in which the characters were portrayed by leather dolls manipulated to cast shadows on a nearby screen as the audience watched from the other side.
Articles related to shadow play, an ancient form of storytelling and entertainment which uses flat articulated cut-out figures (shadow puppets) which are held between a source of light and a translucent screen or scrim. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing.
It is shared with the ethnic Lao that inhabit the Isan region of Thailand as well. There are mainly two types of dances (or dance-dramas), the classical dances performed in the royal courts and the folk dances now associated with morlam. [1] Shadow puppetry, although not associated with dance, is an important part of Lao theatrical traditions.