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The speaker of the poem is the character Aedh, who appears in Yeats's work alongside two other archetypal characters of the poet's myth: Michael Robartes and Red Hanrahan. The three characters, according to Yeats, represent the "principles of the mind;" whereas Robartes is intellectually powerful and Hanrahan represents Romantic primitivism ...
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Responsibilities and a Play was printed and published by Yeats's sister, Elizabeth Corbet Yeats, at the Cuala Press in 1914. 400 copies were published. [1]The work contained thirty one poems and a new version of the play The Hour Glass, which was originally written in collaboration with Lady Gregory, but now presented in a new version.
1910 – The Green Helmet and Other Poems, verse and plays [2] 1910 – Poems: Second Series [2] 1911 – Synge and the Ireland of his Time, nonfiction [2] 1912 – The Cutting of an Agate; 1912 – Selections from the Writings of Lord Dunsany; 1912 – A Coat; 1913 – Poems Written in Discouragement; 1916 – Responsibilities, and Other Poems [2]
The Tower is a book of poems by W. B. Yeats, published in 1928. The Tower was Yeats's first major collection as Nobel Laureate after receiving the Nobel Prize in 1923. It is considered to be one of the poet's most influential volumes and was well received by the public.
"Under Ben Bulben" was first published in July 1939, six months after Yeats' death, as the first poem in the collection Last Poems and Two Plays in a limited edition released by his sister. The trade edition Last Poems & Plays, published in 1940, added the content of New Poems and three poems printed in On the Boiler. It also made "Under Ben ...
William Butler Yeats [a] (13 June 1865 – 28 January 1939) was an Irish poet, dramatist and writer, and one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival , and along with Lady Gregory founded the Abbey Theatre , serving as its chief during its early years.
The Oxford Book of Modern Verse 1892–1935 is a poetry anthology edited by W. B. Yeats and published in 1936 by Oxford University Press.A long introductory essay starts from the proposition that the poets included should be all the "good" ones (implicitly the field is Anglo-Irish poetry, though notably a few Indian poets are there) active since the death of Tennyson.