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This is a non-diffusing parent category of Category:20th-century Scottish women painters The contents of that subcategory can also be found within this category, or in diffusing subcategories of it. Contents
Alexander Keirincx, Seton Palace and the Forth Estuary, c. 1639. The earliest examples of Scottish landscape painting are in the tradition of Scottish house decoration for burgesses, lairds and lords, that arose after the Reformation in the sixteenth century, partly as a response to the loss of religious patronage. [2]
Thomas Corsan Morton (1859–1928), artist known as one of the Glasgow Boys; James MacLauchlan Nairn (1859–1904), Glasgow-born painter who influenced late 19th-century New Zealand painting; Charlotte Nasmyth (1804–1884), landscape painter, daughter of Alexander Nasmyth; Jessie Newbery (1864–1948), Glasgow School artist and embroiderer
It includes Scottish painters that can also be found in the parent category, or in diffusing subcategories of the parent. Pages in category "20th-century Scottish women painters" The following 90 pages are in this category, out of 90 total.
The Coffee Pot, by Samuel Peploe (1905). The first significant group of Scottish artists to emerge in the twentieth century were the Scottish Colourists in the 1920s. The name was retrospectively given to John Duncan Fergusson (1874–1961), Francis Cadell (1883–1937), Samuel Peploe (1871–1935) and Leslie Hunter (1877–1931). [2]
This is a non-diffusing parent category of Category:20th-century Scottish male artists and Category:20th-century Scottish women artists The contents of these subcategories can also be found within this category, or in diffusing subcategories of it.
This is demonstrated in his most celebrated painting A Point in Time 1929–1937 now owned by the National Galleries of Scotland. [2] [11] Johnstone's work is found in several major UK public collections including the Tate Gallery, [12] the Government Art Collection, [13] The Fleming Collection and the Dundee Art Galleries and Museums Collections.
He is regarded as one of the great interpreters of the Scottish landscape and is often labelled the "Scottish Impressionist". He married Marjory Henderson (1856–1936), the daughter of another painter, Joseph Henderson RSW (1832–1908), Joseph's sons John Henderson (1860–1924) and Joseph Morris Henderson (1863–1936) also being painters.