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It is a room that can be made completely dark to allow the processing of light-sensitive photographic materials, including film and photographic paper. Various equipment is used in the darkroom, including an enlarger, baths containing chemicals, and running water. Darkrooms have been used since the inception of photography in
Example of a low-key photograph. Low-key photography is a genre of photography consisting of shooting dark-colored scenes by lowering or dimming the "key" or front light illuminating the scene (low-key lighting), and emphasizing natural [1] or artificial light [2] only on specific areas in the frame. [3]
The image of an assistant with a devil's mask was projected through a lens into the dark room, scaring the uneducated spectators. [35] A camera obscura drawing aid tent in an illustration for an 1858 book on physics. By 1620 Kepler used a portable camera obscura tent with a modified telescope to draw landscapes. It could be turned around to ...
Psychomanteum example setup in dark room using flash photography. A kind of structure built for the paranormal activity of communicating with spirits. In parapsychology and Spiritualism , a psychomanteum is a small, enclosed area set up with a comfortable chair, dim lighting, and a mirror angled so as not to reflect anything but darkness ...
The creepypasta showed an image exemplifying a liminal space—a hallway with yellow carpets and wallpaper—with a caption purporting that by "noclipping out of bounds in real life", one may enter the Backrooms, an empty wasteland of corridors with nothing but "the stink of old moist carpet, the madness of mono-yellow, the endless background ...
Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning , and masking , which though similar conceptually to digital manipulations, involve physical rather than virtual techniques.
Contact print of a photo film cut in pieces, used for reviewing and selecting images for the final print. Photo by Paolo Monti, 1975. Contact printing is a simple and inexpensive process. Its simplicity avails itself to those who may want to try darkroom processing without buying an enlarger.
That mass where nothing is visible is the space of the gas chamber: the dark room into which one had to retreat, to step back, in order to give light to the work of the Sonderkommando outside, above the pyres. That mass of black gives us the situation itself, the space of possibility, the condition of existence of the photographs themselves.