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The hymn's lyrics refer to the heavenly host: "Thee we would be always blessing / serve thee with thy hosts above".. At its first appearance, the hymn was in four stanzas of eight lines (8.7.8.7.D), and this four-stanza version remains in common and current use to the present day, being taken up as early as 1760 in Anglican collections such as those by Madan (1760 and 1767), Conyers (1772 ...
Cantique de Jean Racine (Chant by Jean Racine), Op. 11, is a composition for mixed choir and piano or organ by Gabriel Fauré.The text, "Verbe égal au Très-Haut" ("Word, one with the Highest"), is a French paraphrase by Jean Racine of a Latin hymn from the breviary for matins, Consors paterni luminis.
Charles Wesley's hymn "Love Divine, All Loves Excelling" was first sung to Purcell's music for "Fairest Isle", and in places echoes its lyrics. [8] In 1770, when David Garrick staged a version of King Arthur deprived of many of Purcell's songs, particularly those in the act 5 masques, "Fairest Isle" survived the cuts. [ 9 ]
Wyeth's Repository of Music, Part Second (1813) included 41 folk tunes, the first printed in America. This was also the birth of the "folk hymn": the use of a folk tune, collected and harmonized by a trained musician, printed with a hymn text. [8] "Nettleton," the tune used in North America to sing "Come Thou Fount" (words written in 1758 ...
The second stanza surrenders worldly pleasures, and the third prays to "feel the Holy Spirit". Stanza four asks to be filled with Jesus's love, power, and blessing. In the fifth stanza, the singer feels "the sacred flame" – an image of the Holy Spirit – and the joy of "full salvation" born of surrender. [8]
The text of "Come down, O Love divine" originated as an Italian poem, "Discendi amor santo" by the medieval mystic poet Bianco da Siena (1350-1399). The poem appeared in the 1851 collection Laudi Spirituali del Bianco da Siena of Telesforo Bini, and in 1861, the Anglo-Irish clergyman and writer Richard Frederick Littledale translated it into English.
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