Search results
Results from the WOW.Com Content Network
For the Eugène Delacroix exhibition in 1930, the Daumier exhibition and the Manet exhibition at the French National Museums, Mourlot became the place where posters were prepared and produced as works of art in their own right. Another important feature would be the production of fine art, limited edition lithographs.
At the sale of his work in 1864, 9140 works were attributed to Delacroix, including 853 paintings, 1525 pastels and water colours, 6629 drawings, 109 lithographs, and over 60 sketch books. [40] The number and quality of the drawings, whether done for constructive purposes or to capture a spontaneous movement, underscored his explanation ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
While Delacroix was widely noted for his figure-centric romanticist paintings, he produced a number of expressive landscape works during his later years. [1] Among these works is Sunset, done by Delacroix circa 1850. The drawing depicts a sunset partially blocked by two cloud formations, one directly above the Earth and a second, thicker band ...
Christ on the Cross (1835) by Eugène Delacroix. Christ on the Cross, Christ between Two Thieves or Calvary is an 1835 painting by the French Romantic painter Eugène Delacroix. [1] It was not made for a church, but instead was a reinterpretation of a composition by Peter Paul Rubens, Christ on the Cross (The Coup de Lance) of 1620. [2]
Homage to Delacroix is an 1864 painting by Henri Fantin-Latour painted in homage to the French Romantic painter Eugène Delacroix who died the year before. The work features a group of painters and writers, all of whom went on to become notable themselves, gathered around a portrait of the late Delacroix.
The Barque of Dante (French: La Barque de Dante), also Dante and Virgil in Hell (Dante et Virgile aux enfers), is the first major painting by the French artist Eugène Delacroix, and is a work signalling the shift in the character of narrative painting, from Neo-Classicism towards Romanticism. [1]