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In 1968, they recorded the song "Valley of the Dolls", written for (but not actually used in) the movie of the same name. Despite an endorsement from the original book's author Jacqueline Susann , the Arbors' tune was overshadowed by Dory Previn 's title song from the movie and was not a national hit (it did manage to make the top ten at WAAM ...
"Maria" is a song by American rock band Blondie. The song was written by Blondie keyboardist Jimmy Destri and produced by Craig Leon. Taken from their seventh album, No Exit (1999), it was Blondie's first new release since 1982. "Maria", issued as a single in Europe on January 11, 1999, reached number one in the United Kingdom; Blondie's sixth ...
"She Thinks She Needs Me" is a song written by Shane Minor, Sonny LeMaire and Clay Mills, and recorded by American country music artist Andy Griggs. It was released in February 2004 as the lead-off single from his album This I Gotta See. It peaked at No. 5 on the Billboard Hot Country Singles & Tracks chart.
McEntire and Brooks & Dunn debuted the song at the Academy of Country Music awards in 1998. [1] The song reached number one on the Billboard Hot Country Singles & Tracks (now Hot Country Songs) charts for the week of June 27, 1998, and held that position for two weeks, giving McEntire her twenty-ninth number one single, and Brooks & Dunn their ...
Here’s how Lily-Rose Depp tried to connect with her character in 'Nosferatu' USA TODAY. Tracks from Taylor Swift, Chappell Roan, Billie Eilish top the list of 2024's best songs. USA TODAY ...
"Big Green Tractor" is the next single, released in May 2009 became Aldean's third number one in August 2009. "This I Gotta See" was previously recorded by Andy Griggs on his 2004 album of the same name. Griggs' version of the song reached number 58 on the country charts in mid-2005.
The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. [4] Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim.
The song peaked at number one, becoming Rihanna's thirty-third song to do so, extending her lead as the artist with the second-most number-ones on the chart behind Madonna (50). Rihanna also became the first act to achieve eight number-ones from a single album on the Dance Club Songs chart, breaking the record previously held by Katy Perry ...