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The Opéra Bastille (French: [ɔpeʁa bastij] ⓘ, "Bastille Opera House") is a modern opera house in the 12th arrondissement of Paris, France.Inaugurated in 1989 as part of President François Mitterrand's Grands Travaux, it became the main facility of the Paris National Opera, France's principal opera company, alongside the older Palais Garnier; most opera performances are shown at the ...
Novelty architecture, also called programmatic architecture or mimetic architecture, is a type of architecture in which buildings and other structures are given unusual shapes for purposes such as advertising or to copy other famous buildings. Their size and novelty means that they often serve as landmarks.
The culture of Paris concerns the arts, music, museums, festivals and other entertainment in Paris, the capital city of France.The city is today one of the world's leading business and cultural centers; entertainment, music, media, fashion, and the arts all contribute to its status as one of the world's major global cities.
The city of Paris has notable examples of architecture from the Middle Ages to the 21st century. It was the birthplace of the Gothic style, and has important monuments of the French Renaissance, Classical revival, the Flamboyant style of the reign of Napoleon III, the Belle Époque, and the Art Nouveau style.
Opéra Bastille, Paris . Carlos Adolfo Ott (born October 16, 1946) is a Uruguayan-Canadian [1] [2] architect.He became famous when he won the international design competition in 1983 for the construction of the Opéra Bastille in Paris, which was inaugurated on July 14, 1989 (bicentennial of the French Revolution).
The Grands Projets of François Mitterrand (variants: Grands Travaux [ɡʁɑ̃ tʁavo] or Grands Projets Culturels [ɡʁɑ̃ pʁɔʒɛ kyltyʁɛl]; officially: Grandes Opérations d'Architecture et d'Urbanisme [ɡʁɑ̃dz‿ɔpeʁasjɔ̃ daʁʃitɛktyʁ e dyʁbanism]) was an architectural programme to provide modern monuments in Paris, the city of monuments, symbolising France's role in art ...
The architectural style of the Belle Époque often borrowed elements of historical styles, ranging from neo-Moorish Palais du Trocadéro, to the neo-Renaissance style of the new Hôtel de Ville, to the exuberant reinvention of French 17th and 18th century classicism in the Grand Palais and Petit Palais, the new building of the Sorbonne.
Bastille station entrance, now demolished, on another early postcard. Three of the entrances took the form of free-standing pavilions or small stations, [5] including waiting rooms: one at Bastille and two on Avenue de Wagram at Étoile. These were in a style influenced by Japanese pagodas.