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Record Collector magazine listed the guide price at £200,000 in issue 408 (December 2012). McCartney had some "reissues" pressed in 1981 on UK 10-inch 78 RPM and 7-inch 45 RPM, in reproduction Parlophone sleeves, 25 copies of each; these are estimated to be worth upwards of £10,000 each. [5] [6]
The Gramophone Record Library. London: Grafton & Co., 1951. 123 p. N.B.: This book is aimed at sound recordings collections in libraries, but much of the advice may be of some use to the private collector. Petrusich, Amanda. Do Not Sell at Any Price: The Wild Obsessive Hunt for the World's Rarest 78rpm Records. New York: Scribner, 2014. Rees, Tony.
In 1950, Seeburg introduced the first commercial jukebox designed to play the then-new 45 rpm records. They increased the number of records from 50 to 100 in 1955, eventually settling on 50 or 80 per machine after 1958.
The most common rotational speeds for gramophone records are 33 + 1 ⁄ 3 revolutions per minute (rpm), 45 rpm, and 78 rpm. Established as the only common rotational speed prior to the 1940s, the 78 became increasingly less common throughout the 1950s and into more modern decades as the 33 and the 45 became established as the new standards for ...
Two different ways of marking cut-out records on LP jackets. When LPs were the primary medium for the commercial distribution of sound recordings, manufacturers would cut the corner, punch a hole, or add a notch to the spine of the jacket of unsold records returned from retailers; these "cut-outs" might then be re-sold to record retailers or other sales outlets for sale at a discounted price.
Carlos Martín Ballester (born 1974): 75,000 78 rpm records (carlosmb archive) plus 5,000 78 rpms records and 200 cylinders (private collection). [27] It is the largest collection of 78 rpm records pressed in Spain. Part of the archive is on sale and new items are added regularly. [28] Elton John (born 1947): 70,000 items. [29]
RCA Victor issued boxed sets of four to six 45s, each set providing about the same amount of music as one LP (an extreme example of these 45 rpm boxed sets was the complete 1951 recording of the opera Carmen, featuring Risë Stevens and Jan Peerce, conducted by Fritz Reiner, which consisted of sixteen 45 rpm discs). In the case of operas ...
Columbia used this label for its 45 r.p.m. records from 1951 until 1958. Transitional 1955 promo 45 r.p.m. label showing both the old notes and mike and new walking eye logos. In 1951, Columbia US began issuing records in the 45 rpm format RCA Victor had introduced two years earlier. [36]
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