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The sale at auction in 2003 of a tureen in the form of a hen and chickens for £223,650 was then the auction record for English 18th-century porcelain. [54] In 2018 a pair of plaice -shaped tureens of c. 1755 from the collection of David Rockefeller and his wife fetched $300,000 (both sales at Christie's).
Bristol porcelain, like that of Plymouth, was a hard-paste porcelain: [11] "It is harder and whiter than the other 18th-century English soft-paste porcelains, and its cold, harsh, glittering glaze marks it off at once from the wares of Bow, Chelsea, Worcester or Derby". [10]
Pair of vases, 1772–1774, Derby Porcelain Factory (V&A Museum no. 485–1875)The Royal Crown Derby Porcelain Company is the oldest or second oldest remaining English porcelain manufacturer, based in Derby, England (disputed by Royal Worcester, who claim 1751 as their year of establishment).
The Rockingham Pottery was a 19th-century manufacturer of porcelain of international repute, supplying fine wares and ornamental pieces to royalty and the aristocracy in Britain and overseas, as well as manufacturing porcelain and earthenware items for ordinary use.
The production of Derby porcelain dates from the second half of the 18th century, although the authorship and the exact start of the production remains today as a matter of conjecture. The oldest remaining pieces in the late 19th century bore only the words "Darby" and "Darbishire" and the years 1751-2-3 as proof of place and year of manufacture.
Liverpool porcelain is mostly of the soft-paste porcelain type and was produced between about 1754 and 1804 in various factories in Liverpool. Tin-glazed English delftware had been produced in Liverpool from at least 1710 at numerous potteries, but some then switched to making porcelain. A portion of the output was exported, mainly to North ...
Earlier examples were mostly large pieces such as jugs or basins and ewers, but later whole table services, all painted with the arms, were produced. Silver tableware also often had coats of arms engraved on it, but as porcelain replaced metal as the favoured material for elite tableware in the 18th century, armorial porcelain became very popular.
Bristol porcelain, like that of Plymouth, was a hard-paste porcelain. [5] It is harder and whiter than the other 18th-century English soft-paste porcelains, and its cold, harsh, glittering glaze marks it off at once from the wares of Bow, Chelsea, Worcester or Derby. [4] The Plymouth pieces show technical teething troubles.