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Amedeo Modigliani was the fourth child, whose birth coincided with the disastrous financial collapse of his father's business interests. Amedeo's birth saved the family from ruin; according to an ancient law, creditors could not seize the bed of a pregnant woman or a mother with a newborn child.
Nude on a Blue Cushion is an oil painting by Amedeo Modigliani, completed in 1917. It is currently on display at the National Gallery of Art. [1] The painting depicts a nude woman relaxing on her side on a blue cushion. It is one of a series of nudes he painted from 1916-1919 commissioned by art dealer Leopold Zborowski. When the collection was ...
Reclining Nude on Blue Cushion (French: Nu Couché au coussin Bleu) is an oil on canvas painting by Italian artist Amedeo Modigliani created in 1916. [1] The painting is one of the dozens of nudes created by Modigliani between 1916 and 1919.
Nude Sitting on a Divan (The Beautiful Roman Woman) is an oil on canvas painting by Italian artist Amedeo Modigliani depicting a partially draped woman seated with crossed legs against a warm red background. The work was one of a series of nudes painted by Modigliani in 1917 that created a sensation when exhibited in Paris that year.
Reclining Nude is a painting by Italian artist Amedeo Modigliani. Done in oil on canvas in 1917, the painting was one of Modigliani's celebrated series of nudes. The work is in the collection of the Metropolitan Museum of Art, in New York. [1]
Reclining Nude (On the Left Side) (French: Nu couché (sur le côté gauche)) is a 1917 painting by Amedeo Modigliani. [2] The painting was included in a 2017/2018 Tate Modern exhibition of Modigliani's works. [3] The painting was sold by auction by Sotheby's in April 2018. [2]
Curators at an Israeli museum have discovered three previously unknown sketches by celebrated 20th century artist Amedeo Modigliani hiding beneath the surface of one of his paintings.
The Guardian art critic Jonathan Jones claims that Modigliani continues the tradition of Titian's Venus of Urbino "glorifying the human body infuses the sexuality of Modigliani's nude", reinvented a decade before by the paintings of Pablo Picasso and Henri Matisse. Jones states that "Modigliani is a religious artist and his religion is desire." [7]
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