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Taino Zemi mask from Walters Art Museum. A zemi or cemi (Taíno: semi [sɛmi]) [2] was a deity or ancestral spirit, and a sculptural object housing the spirit, among the Taíno people of the Caribbean. [3] Cemi’no or Zemi’no is a plural word for the spirits.
Yúcahu [1] —also written as Yucáhuguama Bagua Maórocoti, Yukajú, Yocajú, Yokahu or Yukiyú— was the masculine spirit of fertility in Taíno mythology. [2] He was the supreme deity or zemi of the Pre-Columbian Taíno people along with his mother Atabey who was his feminine counterpart. [3]
The Pomier Caves are a series of 55 caves located north of San Cristobal in the south of the Dominican Republic.They contain the largest collection of rock art in the Caribbean created since 2,000 years ago primarily by the Taíno people but also the Kalinago people and the Igneri, the pre-Columbian indigenous inhabitants of the Bahamas, Greater Antilles, and some of the Lesser Antilles.
The Spanish arrived with a group of captured Indians found out through Bacanao small daughter who was embracing the body of her dead mother (Abama), the truth about the crime. Gálvez's servant was taken prisoner as so were the Taino rebels and Baconao's Daughter. The Spanish buried Gálvez and left Mabey's cadaver to rot and be eaten by vultures.
The Taino people utilized dried tobacco leaves, which they smoked using pipes and cigars. Alternatively, they finely crushed the leaves and inhaled them through a hollow tube. The natives employed uncomplicated yet efficient tools for planting and caring for their crops.
It was made by the Taino people and found in a cave near the city of Santo Domingo in the Dominican Republic. [1] The seat was made before Christopher Columbus landed in the Caribbean and is an important remnant of the Taino culture and civilisation that existed before the arrival of Europeans.
Modern knowledge of Taíno creation myths comes from 16th century Spanish chroniclers investigating the indigenous Caribbean culture. Columbus was very much interested in knowing about the religion of the Taínos; In his original letter to the Queen, he expressed the opinion that the natives had no religion whatsoever, however this was an attempt to persuade Isabella that it would be easy to ...
The height of pre-colonial Caribbean art emerged between 1000 and 1492 with the Taino people, whose ceramic production, rock art, stonework, and other artworks are historically the most significant and widespread in the region. [2]
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