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Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, [1] during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence. The new Dutch Republic was the most prosperous nation in Europe and led European trade, science, and art.
In the 17th century the Dutch were very interested in flowers and gardening, so paintings that highlighted the beauty of nature were highly valued. This helped to build and maintain Ruysch's clientele throughout her career. [7] In her lifetime her paintings were sold for prices as high as 750–1200 guilders.
Department of Paintings of the Louvre: INV 1553 66 Still Life with Globe, Books, Sculpture, and Other Objects: Jan van der Heyden: 1670 Academy of Fine Arts Vienna: 67 Vase of Flowers: Simon Pietersz Verelst: 1670 Cleveland Museum of Art: 68 Flowers in a Glass Vase: Dirck de Bray: 1671 Los Angeles County Museum of Art: M.2009.106.4 69 Still ...
Dutch Golden Age painting was among the most acclaimed in the world at the time, during the seventeenth century. During the Dutch Golden Age, there was such a high output of paintings that prices for artwork declined. From the 1620s, Dutch painting broke decisively from the Baroque style typified by Rubens in neighboring Flanders into a more ...
Van Huysum's work determined the "main trends in flower paintings for sixty to eighty years after his death." [14]Fruit and flower artists whose work is described as inspired by or analogous to that of Jan van Huysum: Jacob van Huysum (his brother), Justus van Huysum (his father), Pieter Faes, Wybrand Hendriks, Paul Theodore van Brussel, Jacobus Linthorst, Jan van Os, George Jacob Jan van Os ...
In general, artists are included that are mentioned at the ArtCyclopedia [1] website, in the Grove Dictionary of Art, [2] and/or whose paintings regularly sell for over $20,000 at auctions. [3] Active painters are therefore underrepresented, while more than half of the artists are baroque painters of the 17th century, roughly corresponding to ...
In 1701, Alida married the Fijnschilder Andries Cornelisz van Dalen, a typical example of relations between artistic and painterly families in seventeenth and eighteenth century Holland. [3] A training in painting was expensive and not often given to daughters, but talented daughters could be trained to work in the studio of their father, uncle ...
Although landscape paintings were popular in seventeenth-century Dutch art, the depiction of a specific industry and its connection with a particular place was relatively rare at the time. [1] Ruisdael was the one to popularize the painting of such landscape views of Haarlem, including the industry that the town was known for. [1]