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Excelsior! This motto applies to folks who dwell In Richmond Hill or in New Rochelle, In Chelsea or In Sutton Place. "Excelsior" also became a trade name for wood shavings used as packing material or furniture stuffing. In Bullwinkle's Corner, Bullwinkle the Moose parodies the poem in Season 2 Episode 18 (1960–61) of The Rocky and Bullwinkle ...
Excelsior Recordings, a record label from the Netherlands; Excelsior Brass Band, an 1879-1931 brass band from New Orleans "Excelsior", a setting of Longfellow's poem to music by Michael William Balfe
Loyd had a friend who was willing to wager that he could always find the piece which delivered the principal mate of a chess problem. Loyd composed this problem as a joke and bet his friend dinner that he could not pick a piece that didn't give mate in the main line (his friend immediately identified the pawn on b2 as being the least likely to deliver mate), and when the problem was published ...
The new mock-heroic poem accepted the same metre, vocabulary, rhetoric of the epics. However, the new genre turned the old epic upside down about the meaning, setting the stories in more familiar situations, to ridiculize the traditional epics. In this context was created the parody of epic genre.
It is a parody of Les Crane's 1971 spoken word recording of "Desiderata", the early 20th-century poem by Max Ehrmann. ("Desiderata" is Latin for "desired things"; "deteriorata" is a portmanteau of the verb "deteriorate" and "desiderata".) The parody was written by Tony Hendra for National Lampoon, and was recorded for the album Radio Dinner.
Excelsior, Jr. is an 1895 musical comedy with music by George Lowell Tracy, A. Baldwin Sloane, and Edward E. Rice, and also with lyrics by Robert Ayres Barnet. After playing in New Haven , it debuted on Broadway to a great fanfare as the first production at Hammerstein's Olympia on November 25, 1895. [ 1 ]
Critics have seen the story as a parody of such genres as the epic, the romance, and the saint's life. [1] "Few Old French genres escape parody in this concise literary encyclopedia." [1] For example, the theme of distant love (amor de lonh), common in Provençal poetry, is reversed: the lady dresses up as a troubadour and seeks out her beloved ...
Cendrars was an early exponent of Modernism in European poetry with his works: The Legend of Novgorode (1907), Les Pâques à New York (1912), La Prose du Transsibérien et la Petite Jehanne de France (1913), Séquences (1913), La Guerre au Luxembourg (1916), Le Panama ou les aventures de mes sept oncles (1918), J'ai tué (1918), and Dix-neuf poèmes élastiques (1919).