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The pear-shaped bell (called Liebesfuß) of the cor anglais gives it a more covered timbre than the oboe, closer in tonal quality to the oboe d'amore.Whereas the oboe is the soprano instrument of the oboe family, the cor anglais is generally regarded as the alto member of the family, and the oboe d'amore—pitched between the two in the key of A—as the mezzo-soprano member. [5]
When the word oboe is used alone, it is generally taken to mean the soprano member rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in symphony orchestras, concert bands and chamber ensembles.
A. Laubin, Inc. is an American maker of oboes and English horns, formerly located in Peekskill, New York. The first Laubin oboe was made in 1931 by Alfred Laubin, a performing musician who was dissatisfied with the quality of instruments available at the time. The creation of oboes began as a home project, but soon Mr. Laubin was able to make ...
An oboist (formerly hautboist) is a musician who plays the oboe or any oboe family instrument, including the oboe d'amore, cor anglais or English horn, bass oboe and piccolo oboe or oboe musette. The following is a list of notable past and present professional oboists, with indications when they were/are known better for other professions in ...
A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...
The heckelphone is a double reed instrument of the oboe family, but with a wider bore and hence a heavier and more penetrating tone. It is pitched an octave below the oboe and furnished with an additional semitone taking its range down to A. [3] It was intended to provide a broad oboe-like sound in the middle register of the large orchestrations of the turn of the twentieth century.
Modern makers of oboes d'amore include Howarth of London (instruments in African blackwood or cocobolo wood), F. Lorée in Paris (instruments in African blackwood or violetwood) and others such as French makers Rigoutat [], Fossati and Marigaux, Italian maker Bulgheroni (who offer instruments in grenadilla, violetwood, cocobolo, rosewood, palisander, and cocus wood), Japanese maker Joseph and ...
The oboe da caccia stands in a rather unusual relationship to the rest of the oboe family. It cannot rightly be called the precursor of the English horn (the predominant name in North America and German-speaking countries) or cor anglais (the name used in England and France), as it largely developed at the same time as the English horn. The ...
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