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Naivety (also spelled naïvety), naiveness, or naïveté is the state of being naive. It refers to an apparent or actual lack of experience and sophistication, often describing a neglect of pragmatism in favor of moral idealism. A naïve may be called a naïf.
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Direct realism, also known as naïve realism, argues we perceive the world directly. In the philosophy of perception and philosophy of mind, direct or naïve realism, as opposed to indirect or representational realism, are differing models that describe the nature of conscious experiences; [1] [2] out of the metaphysical question of whether the world we see around us is the real world itself ...
All pages with titles containing naive; Naïve art, art created by untrained artists, or artists aspiring to naïve realisations; Naïve realism, a theory of perception thought to be representative of most people's understanding and method of interpretation of their perceptions
Naive (without the dieresis) is actually the standard spelling, while naïve (with the dieresis above the 'i') is the variant form. Below are just some of the sources that give naive as the standard and main entry: Merriam-Webster Dictionary, The American Heritage Dictionary of the English Language: Fourth Edition, Random House Unabridged Dictionary, WordNet® 3.0, Online Etymology Dictionary ...
Naïve realism: By means of our senses, we perceive the world directly, and pretty much as it is, meaning that our claims to have knowledge of it are justified Among contemporary analytic philosophers who defended direct realism one might refer to, for example, Hilary Putnam , [ 6 ] John McDowell , [ 7 ] [ 8 ] Galen Strawson , [ 9 ] John R ...
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The definition of the term, and its "borders" with neighbouring terms such as folk art and outsider art, has been a matter of some controversy. Naïve art is a term usually used for the forms of fine art, such as paintings and sculptures, made by a self-taught artist, while objects with a practical use come under folk art.