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Portrait of Caspar David Friedrich, Gerhard von Kügelgen c. 1810–1820. Caspar David Friedrich (German: [ˌkaspaʁ ˌdaːvɪt ˈfʁiːdʁɪç] ⓘ; 5 September 1774 – 7 May 1840) was a German Romantic landscape painter, generally considered the most important German artist of his generation, whose often symbolic, and anti-classical work, conveys a subjective, emotional response to the ...
A famous example of the Rückenfigur motif: Caspar David Friedrich's Der Wanderer über dem Nebelmeer, 1818. The Rückenfigur (literally "back-figure") is a compositional device in painting, graphic art, photography, and film. A person is seen from behind in the foreground of the image, contemplating the view before them, and is a means by ...
Although it was controversial and generally coldly received, it was nevertheless Friedrich's first painting to receive wide publicity. The artist's friends publicly defended the work, while art critic Basilius von Ramdohr, who had attended Friedrich's studio exhibit, published an article rejecting Friedrich's use of landscape in a religious ...
When Caspar David Friedrich died in 1840, he was almost forgotten by the art world. As his 250th birthday approaches, his reputation is reaching new heights. Revered by Hitler, this painter fell ...
The Monk by the Sea (German: Der Mönch am Meer) is an oil painting by the German Romantic artist Caspar David Friedrich.It was painted between 1808 and 1810 in Dresden and was first shown together with the painting The Abbey in the Oakwood (Abtei im Eichwald) in the Berlin Academy exhibition of 1810.
Friedrich was one of the preeminent artists of German Romanticism, a movement which emphasized subjectivity and spirituality over strict intellectualism and objectivity. [4] Friedrich's art often focused on the spirituality of nature through close attention to local scenery in landscape painting. [1]
The central figure, Friedrich's wife Caroline, has an informal stance, creating the impression that Friedrich observed and captured the scene at a precise moment in time. [2] The woman's posture reflects an intimate moment in Friedrich's domestic sphere. As she observes the view from the artist's studio she appears relaxed and reserved. [2]
The cairn is thought to be based on the Neolithic burial site at Großsteingrab Gützkow , near the town Gützkow in West Pomerania; the megalith was destroyed before 1818, but Friedrich had sketched it since at least 1802. Friedrich sketched the trees at Neubrandenburg, most clearly an 1807 sepia sketch Hünengrab am Meer ("Dolmen by the sea").