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Portrait of Caspar David Friedrich, Gerhard von Kügelgen c. 1810–1820. Caspar David Friedrich (German: [ˌkaspaʁ ˌdaːvɪt ˈfʁiːdʁɪç] ⓘ; 5 September 1774 – 7 May 1840) was a German Romantic landscape painter, generally considered the most important German artist of his generation, whose often symbolic, and anti-classical work, conveys a subjective, emotional response to the ...
The Magic of Silence: Caspar David Friedrich's Journey Through Time (German: Zauber der Stille. Caspar David Friedrichs Reise durch die Zeiten) is a 2023 book by the German art historian Florian Illies. It is about the painter Caspar David Friedrich and was written for the occasion of Friedrich's 250th anniversary in 2024. [1] [2]
The Watzmann (German - Der Watzmann) is an 1824-1825 oil on canvas painting by Caspar David Friedrich, showing the Watzmann mountain as seen from Berchtesgaden to the north-east. It is now on display in the Alte Nationalgalerie in Berlin.
A famous example of the Rückenfigur motif: Caspar David Friedrich's Der Wanderer über dem Nebelmeer, 1818. The Rückenfigur (literally "back-figure") is a compositional device in painting, graphic art, photography, and film. A person is seen from behind in the foreground of the image, contemplating the view before them, and is a means by ...
The Tree of Crows (also known as Raven Tree) is an oil painting by the German Romantic artist Caspar David Friedrich, from 1822.Acquired by the Louvre in 1975 (the institution's first acquisition of a work by the artist, followed by Seaside by Moonlight in 2000), it has been called one of Friedrich's "most compelling paintings."
The cairn is thought to be based on the Neolithic burial site at Großsteingrab Gützkow , near the town Gützkow in West Pomerania; the megalith was destroyed before 1818, but Friedrich had sketched it since at least 1802. Friedrich sketched the trees at Neubrandenburg, most clearly an 1807 sepia sketch Hünengrab am Meer ("Dolmen by the sea").
The Monk by the Sea (German: Der Mönch am Meer) is an oil painting by the German Romantic artist Caspar David Friedrich.It was painted between 1808 and 1810 in Dresden and was first shown together with the painting The Abbey in the Oakwood (Abtei im Eichwald) in the Berlin Academy exhibition of 1810.
The central figure, Friedrich's wife Caroline, has an informal stance, creating the impression that Friedrich observed and captured the scene at a precise moment in time. [2] The woman's posture reflects an intimate moment in Friedrich's domestic sphere. As she observes the view from the artist's studio she appears relaxed and reserved. [2]