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Tombstone Canyon is a 1932 American Western film directed by Alan James. Plot. The Phantom Killer is on the loose with Ken (Ken Maynard) on his trail. He in turn is ...
Title Director Cast Genre Notes 20,000 Years in Sing Sing: Michael Curtiz: Spencer Tracy, Bette Davis, Louis Calhern: Drama: Warner Bros. [1] 70,000 Witnesses: Ralph Murphy: Dorothy Jordan, Phillips Holmes, Charlie Ruggles
The following is an overview of 1932 in film, including significant events, a list of films released and notable births and deaths. Top-grossing films (U.S.)
Tombstone is a 1993 American Western film directed by George P. Cosmatos, written by Kevin Jarre (who was also the original director, but was replaced early in production [4]), and starring Kurt Russell and Val Kilmer, with Sam Elliott, Bill Paxton, Powers Boothe, Michael Biehn, and Dana Delany in supporting roles, and narration by Robert Mitchum.
Law and Order is a 1932 American pre-Code Western film starring Walter Huston, Harry Carey, Andy Devine, Russell Hopton and Russell Simpson. It was the first movie to depict the Gunfight at the O.K. Corral, in Tombstone, Arizona. [1] The film is based on the novel Saint Johnson, by W. R. Burnett.
Tombstone, the Town Too Tough to Die is a 1942 American Western film about the Gunfight at the OK Corral. [1] [2] [3] It is directed by William McGann and stars Richard Dix as Wyatt Earp, Kent Taylor as Doc Holliday and Edgar Buchanan as Curly Bill Brocious. The supporting cast features Rex Bell as Virgil Earp and Victor Jory as Ike Clanton.
The 5th Academy Awards were held by the Academy of Motion Picture Arts and Sciences on November 18, 1932, [1] at the Ambassador Hotel [1] in Los Angeles, California, hosted by Conrad Nagel. [1] Films screened in Los Angeles between August 1, 1931, and July 31, 1932, were eligible to receive awards. [ 1 ]
The meteoric but short film career of Jean Harlow, The Blonde Bombshell, [2] was completely contained in the 1930s. Fred Astaire, with his frequent partner Ginger Rogers, revolutionized film musicals. [3] With charm [2] [4] and a "distinctive kind of nonmacho masculinity", [5] Cary Grant became the decade's "epitome of masculine glamour". [4]
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