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The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
This follows a convention observed in most paintings of the Last Supper, of which Leonardo da Vinci's late 1490s mural painting in Milan, Italy, is probably the best-known example. Tintoretto's painting of 1592–1594, a work of his final years, departs drastically from this compositional formula.
[15] Author Henry James later wrote, "[The Last Supper is] the saddest work of art in the world." [15] The Last Supper was almost completely lost on August 16, 1943, at the height of World War II in Italy, [16] when a Royal Air Force bomb struck Santa Maria delle Grazie, destroying the roof of the refectory and demolishing other nearby spaces. [16]
In April, Italian marketplace chain Eataly announced it would sponsor the latest effort to preserve Leonardo da Vinci's painting The Last Supper. It's the perfect marketing partnership: A food ...
Paris Olympics organizers apologized to anyone who was offended by a tableau that evoked Leonardo da Vinci’s “The Last Supper” during the glamorous opening ceremony, but defended the concept ...
Leonardo, The Last Supper (1494–1497) Leonardo, Virgin of the Rocks, first version (1483–1486) Like Bramante, Leonardo da Vinci was also attracted to Lombardy by the job opportunities offered by the policy of energetic expansion promoted by the Sforza family. In a famous self-presentation letter of 1482, the artist enumerated his skills in ...
The organizers behind the Paris Olympics apologized to anyone who was offended by a tableau that evoked Leonardo da Vinci's "The Last Supper" during Friday's opening ceremony and provoked outrage ...
Many cite Leonardo da Vinci's The Last Supper, started in 1495 and completed in 1498, as being the first work of the High Renaissance. [44] In his book, A History of Art: Painting, Sculpture and Architecture , Frederick Hartt states that 1520 to 1530 was a transition period between the High Renaissance and Mannerism.
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