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Jazz guitarist Carl Kress used a variation of all-fifths tuning—with the bottom four strings in fifths, and the top two strings in thirds, resulting in B ♭ 1 –F 2 –C 3 –G 3 –B 3 –D 4. This facilitated tenor banjo chord shapes on the bottom four strings and plectrum banjo chord shapes on the top four strings.
The tenor guitar or four-string guitar is a slightly smaller, four-string relative of the steel-string acoustic guitar or electric guitar. The instrument was initially developed in its acoustic form by Gibson and C.F. Martin so that players of the four-string tenor banjo could double on guitar.
The book has since been published in a case-size edition by William Bay, Mel's son and has spawned a series of similar books like the Encyclopedia of Guitar Chord Progressions (first published in 1977 [3]), Encyclopedia of Guitar Chord Inversions, Mel Bay's Deluxe Guitar Scale Book, Encyclopedia of Jazz Guitar Runs, Fills, Licks & Lines, and ...
Essentially a 4-string bass with one added high or low string. Choice of tuning depends whether the added string is low or high. Guitar, bass (6-string) 6 strings 6 courses. Standard/common: B 0 E 1 A 1 D 2 G 2 C 3. Alternate: E 1 A 1 D 2 G 2 B 2 E 3. Bass, electric bass, 6-string bass, contrabass guitar Essentially a 4-string bass with either ...
Tenor balalaika; Bass balalaika; Contrabass balalaika; Bandol (Trinidad and Tobago) Bandolón (Mexico) Bandura (Ukraine) Bandurria (Spain) Banjo (United States) Banjo cello; Banjolin; Banjulele; Bass banjo; Bluegrass banjo (5-string banjo) Contrabass banjo; Electric banjo; Fretless banjo; Guitanjo; Long neck banjo; Plectrum banjo; Tenor banjo ...
Bay did not have a guitar teacher, so Bay watched the few guitarists he knew and copied their fingering on the fretboard, teaching himself chords. Once he felt he knew the rudiments of the guitar, he started experimenting with other instruments, including the tenor banjo, mandolin, Hawaiian guitar, and ukulele. [2]
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
Tab lines may be numbered 1 through 6 instead, representing standard string numbering, where "1" is the high E string, "2" is the B string, etc. Also, the order of lines is not standardized. Some tablature is written in pitch order, with the high "e" string on top, and descending in pitch order to the low "E" string on the bottom.
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