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An acoustic version of the song was performed live at TV4's breakfast television programme "Nyhetsmorgon" on 6 December 2008. It featured both Per Gessle and Helena Josefsson (vocals), Clarence Öfwerman (piano), Magnus Börjesson (bass) and Jonas Isacsson (acoustic guitar).
"Long Black Train" is a mid-tempo song featuring acoustic guitar, fills from pedabro and fiddle, and a percussive rhythm reminiscent of a steam locomotive in motion. Using a funeral train as a metaphor, [2] the lyrics tell of resisting temptation from the Devil.
Honesty is the debut studio album by American country music artist Rodney Atkins.It was released on October 14, 2003 by Curb Records.. Honesty produced four chart singles on the Billboard Hot Country Singles & Tracks (now Hot Country Songs) charts with "Sing Along" (No. 36), "My Old Man" (No. 37), "Honesty (Write Me a List)" (No. 4), and "Someone to Share It With" (No. 41).
The song was written in the key of A minor. [2] It is driven by an acoustic guitar line with layers of electric guitar (both rhythm and lead), electric bass guitar, and sung by Lake, with some backing on drums (played by Carl Palmer with congas, tympani mallets and without cymbals), and with a distinctive closing synthesizer solo from Keith Emerson, accompanied by overdubbed synthesizer sounds.
The song's slow tempo and mellow acoustic sound bear similarities to some of the other tracks on the first side of the album Meddle. Roger Waters performed the acoustic guitar parts [6] using an open tuning in G major, taught to Waters by former member Syd Barrett.
"The Guitar Man" is a song written by David Gates and originally recorded by the rock group Bread. It first appeared on Bread's 1972 album, Guitar Man . It is a mixture of the sounds of soft rock , including strings and acoustic guitar, and the addition of a wah-wah effect electric guitar, played by Larry Knechtel .
Core cast members spent upward of a year on voice and music lessons. "I played guitar, but that's easy compared to banjo," jokes Norton, noting that Seeger's claw-hammer picking technique was hard ...
In a contemporary review for Houses of the Holy, Gordon Fletcher of Rolling Stone criticized "Over the Hills and Far Away", calling the track dull, as well as writing the track is "cut from the same mold as "Stairway to Heaven", but becomes dull without that song's torrid guitar solo". [11] The song has received greater acclaim in more recent ...