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"A Whiter Shade of Pale" is a song by the English rock band Procol Harum that was issued as their debut record on 12 May 1967. The single reached number 1 in the UK Singles Chart on 8 June and stayed there for six weeks. [ 10 ]
However, in most popular-music chord books, the symbol "dim" or "o" represents a diminished seventh chord (a four-tone chord), which in some modern jazz books and music theory books is represented by the "dim7" or "o 7" symbols. For example, the diminished triad built on B, written as B o, has pitches B-D-F:
Procol Harum (/ ˈ p r oʊ k əl ˈ h ɑː r əm /) were an English rock band formed in Southend-on-Sea, Essex, in 1967.Their best-known recording is the 1967 hit single "A Whiter Shade of Pale", one of the few singles to have sold more than 10 million copies. [4]
Matthew Charles Fisher (born 7 March 1946) is an English musician, songwriter and record producer. He is best known for his longtime association with the rock band Procol Harum, which included playing the Hammond organ on the 1967 single "A Whiter Shade of Pale", for which he subsequently won a songwriting credit.
Procol Harum is the debut studio album by English rock band Procol Harum.It was released in September 1967 by record label Deram in the US, following their breakthrough and immensely popular single "A Whiter Shade of Pale".
The first single released was their cover version of "A Whiter Shade of Pale" in May 1984, which reached No. 94 on the Billboard Hot 100 charts. Another single released, "Top of the Rock" (as a promo only,) peaked at #15 on the "Billboard" Top Rock Tracks , [ 5 ] and it became popular in various airplay regions of the United States.
The half diminished scale is a seven-note musical scale. It is more commonly known as the Locrian ♯ 2 scale [ 1 ] or the Aeolian ♭ 5 scale , names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth).
By the end of the Baroque era, however, conventional academic views of B minor had shifted: Composer-theorist Francesco Galeazzi (1758–1819) [2] opined that B minor was not suitable for music in good taste. Beethoven labelled a B-minor melodic idea in one of his sketchbooks as a "black key". [3]