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A studio potter is one who is a modern artist or artisan, who either works alone or in a small group, producing unique items of pottery in small quantities, typically with all stages of manufacture carried out by themselves. [1] Studio pottery includes functional wares such as tableware, cookware and non-functional wares such as sculpture ...
Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves. [ 1 ]
Pewabic Pottery is a ceramic studio and school in Detroit, Michigan. Founded in 1903, the studio is known for its iridescent glazes , some of which grace notable buildings such as the Shedd Aquarium and Basilica of the National Shrine of the Immaculate Conception .
It told the story of Lew Reese, a businessman who had turned an abandoned pottery into a thriving business, only to suffer a setback in 1947. Hooked on History: CBS TV series dramatized 1947 Scio ...
This pottery is handmade, and potters dig clay locally to produce their wares. Tempering agents like sand, volcanic ash, or pieces of ground-up broken pottery are combined with the clay to harden it during the firing process. The vessels are then pit-fired in the ground. Wood, dung, coal, or other locally sourced materials are used as fuel. [7] [8]
Miyamura's studio pottery Hideaki Miyamura (born 1955) is a Japanese-born American potter working in New Hampshire . Miyamura is best known for his unique iridescent glazes, including a compelling gold glaze, the "starry night" glaze on a black background, and a blue hare's fur glaze.
They have historically been important in East Asia, especially Chinese pottery, Korean pottery, and Japanese pottery. [1] Many traditionalist East Asian potteries still use ash glazing, and it has seen a large revival in studio pottery in the West and East. Some potters like to achieve random effects by setting up the kiln so that ash created ...
About 1911 he attended a Raku-yaki pottery party which was his first introduction to ceramics, and through introduction by Ishii Hakutei, he began to study under Urano Shigekichi 浦野繁吉 (1851–1923), who stood as Kenzan 6th in the tradition of potter Ogata Kenzan (1663–1743).
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