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O Come, Divine Messiah is a popular Christian hymn for the season of Advent before Christmas. It recalls the time of waiting of the people of Israel before the birth of Christ. This song is at the same time a call to adore Jesus Christ present in the Eucharist. The melody is taken from an old Christmas song of the 16th century, Let your beasts ...
Within the lyrics, Mary reflects on how all parents wonder who their children will grow up to be, knowing that she is in the singular position of having a Son who is the King of the world. 25 ...
Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende ...
In the play, the lyrics for the song "The Friendly Beasts" are attributed to Robert Davis; the song is also ascribed "XII Century | Arranged by Clarence Dickinson". The lyrics run: Jesus our brother, strong and good, Was humbly born in a stable rude, And the friendly beasts around Him stood, Jesus our brother, strong and good.
2. “10 Little Elves” by Super Simple Songs. A Christmas song that’s both catchy and educational? Yes please. Even preschoolers can count 20 little elves with this fun tune.
"Angels We Have Heard on High" is a Christmas carol to the hymn tune "Gloria" from a traditional French song of unknown origin called "Les Anges dans nos campagnes", with paraphrased English lyrics by James Chadwick [citation needed].
This version of the classic Christmas song was written just for David Bowie and Bing Crosby's 1977 performance, and remains the most moving rendition ever recorded. 4. Elton John, "Step Into ...
The tune has been re-used in a variety of social protest and union songs in the late 20th century, beginning with "Coal, Not Dole", written in the mid-1980s by Kay Sutcliffe about the closing of the Kent coal fields to a tune by Paul Abrahams, but later reset to Goss's tune at the suggestion of John Tams and recorded by Coope Boyes and Simpson.
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