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The MK-V AR or Auto-Leveling Revolution is a body supported camera stabilization system designed and engineered by Howard J Smith of MK-V. [1] The core of the advancement of the Steadicam is the circular ring mechanism which makes it possible to move the camera freely on the optical axis, allowing the image to stay level.
A camera stabilizer, or camera-stabilizing mount, is a device designed to hold a camera in a manner that prevents or compensates for unwanted camera movement, such as "camera shake". For small hand-held cameras, a harness or contoured frame steadies the camera against the photographer's body. In some models, the camera mount is on an arm that ...
Steadicam introduced a camera mount for smartphones, called the Smoothee, in 2012. Marketed to consumers instead of video professionals, its tubular frame supports iPhone and Android phones that are 4.53" to 6.26" long by 2.32" to 3.27" wide (115 to 159 mm long by 59 to 83 mm wide). [8] An adapter can be used to fit a GoPro camera to it.
Image stabilization (IS) is a family of techniques that reduce blurring associated with the motion of a camera or other imaging device during exposure.. Generally, it compensates for pan and tilt (angular movement, equivalent to yaw and pitch) of the imaging device, though electronic image stabilization can also compensate for rotation about the optical axis (). [1]
Panaglide is a brand of camera stabilizer mounts for motion picture cameras made by Panavision. [1] [2] [3] The Panaglide steadies the camera operator's movement, allowing for a smooth shot. The Panaglide was used in such films as Halloween and Terrence Malick's Days of Heaven, which was the first film to use the Panaglide. [4]
James Michael Muro, Jr. (born October 12, 1964) is an American cinematographer and director. He is known primarily for his Steadicam work. In the late 1980s and 1990s, he was James Cameron's Steadicam operator of choice, working on the Cameron-directed films The Abyss, Terminator 2: Judgment Day, True Lies, and Titanic.
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