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Leonardo da Vinci was the most prominent practitioner of sfumato, based on his research in optics and human vision, and his experimentation with the camera obscura. He introduced it and implemented it in many of his works, including the Virgin of the Rocks and in his famous painting of the Mona Lisa. He described sfumato as "without lines or ...
La Scapigliata (Italian for 'The Lady with Dishevelled Hair') [n 1] is an unfinished painting generally attributed to the Italian High Renaissance artist Leonardo da Vinci, and dated c. 1506–1508.
Frank Zöllner, the author of the catalogue raisonné Leonardo da Vinci. The Complete Paintings and Drawings, [142] writes: Over-cleaning resulted in abrasion over the entire painting, especially in the face and hair. [126] Above Christ's left eye (right) are visible marks that the original artist made to soften the flesh with the heel of his ...
The Complete Paintings of Leonardo da Vinci. Penguin Classics of World Art series. ISBN 978-0-14-008649-2. Martin Davies (1961). Catalogue of the Earlier Italian Schools. National Gallery Catalogues, London. ISBN 978-0-901791-29-0. Frederich Hartt (1970). A History of Italian Renaissance Art. Thames and Hudson. ISBN 978-0-500-23136-4. Martin ...
The Death of Leonardo da Vinci, by Ingres, 1818 [u] The 19th century brought a particular admiration for Leonardo's genius, causing Henry Fuseli to write in 1801: "Such was the dawn of modern art, when Leonardo da Vinci broke forth with a splendour that distanced former excellence: made up of all the elements that constitute the essence of ...
Art historians say Leonardo da Vinci hid an optical illusion in the Mona Lisa's face: she doesn't always appear to be smiling. There's question as to whether it was intentional, but new research ...
The Italian polymath Leonardo da Vinci (1452–1519) was the founding figure of the High Renaissance, and exhibited enormous influence on subsequent artists.Only around eight major works—The Adoration of the Magi, Saint Jerome in the Wilderness, the Louvre Virgin of the Rocks, The Last Supper, the ceiling of the Sala delle Asse, The Virgin and Child with Saint Anne and Saint John the Baptist ...
The braid motif is largely different, but can be found in the studio copies; researchers consider this work to be one of the arguments in favor of the theory that these copies are life-size prototypes of the painting in the Louvre. All Leonardo da Vinci's skills as a draughtsman can be seen in this work, in particular his mastery of the use of ...
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