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Peşrev or Peshrev (Turkish, "prelude"; pronounced ) is an instrumental form in Ottoman music. It is the name of the first piece of music played during a group performance called a fasıl ( Turkish pronunciation: [faˈsɯɫ] ).
When performing music for the Mevlevi ceremony, drummers traditionally play embellished (velveleli) versions of the usuls. Instrumental improvisations (taksim) and vocal improvisations (gazel, mersiye, etc.) are generally performed in "free" rhythm, with no usul. The melodic counterpart to usul rhythmic mode is makam melodic mode.
Prince Dimitrie Cantemir: Theorist and Composer of Turkish music. Pan Books. ISBN 975-7652-82-2. Signell, Karl (1977). Makam: Modal practice in Turkish Art Music. Asian Music Publications. ISBN 0-306-76248-X. Stokes, Martin (2010). The Republic of Love: Cultural Intimacy in Turkish Popular Music. University of Chicago Press. ISBN 978-0-226-77505-0.
Arabesque (Turkish: Arabesk) is a style of Turkish music popular in Turkey, the Balkans, the Caucasus, the Middle East, and Eastern Europe. The genre was particularly popular in Turkey from the 1960s through the 2000s. Its aesthetics have evolved over the decades and into the 2010s. It often includes the bağlama and Middle Eastern music.
Sama'i (also known as usul semai) is a vocal piece of Ottoman Turkish music composed in 6 8 meter. This form and meter (usul in Turkish) is often confused with the completely different saz semaisi, an instrumental form consisting of three to four sections, in 10 8 meter, or usul aksak semai (broken semai in Turkish).
The fasıl is a suite in Ottoman classical music.It is similar to the Arabic nawba and waslah.. A classical fasıl generally includes movements such as taksim, peşrev, kâr, beste, ağır semâ'î, yürük semâ'î, gazel, şarkı and saz semâ'î, played continuously without interludes and interconnected through aranağme arrangements.
This is the complete list of number-one singles in Turkey in 2020 according to Radiomonitor.The list on the left side of the box (Resmi Liste, "the Official List") represents physical and digital track sales as well as music streaming of the Turkish artists, and the one on the right side (Uluslararası Liste, "the International List") the same thing for non-Turkish artists.
Miniature of dancers and musicians performing at a circumcision ceremony.Dated 1530 from the Süleymanname. While it is well established that Ottoman music is closely related to its geographical neighbors, namely Byzantine, Persian and Arabic music, [9] early histories of Ottoman classical music, called "mythologies" by Feldman, emphasize a sense of continuity, as opposed to a synthesis of ...
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