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Gouache (/ ɡ u ˈ ɑː ʃ, ɡ w ɑː ʃ /; French:), body color, [a] or opaque watercolor is a water-medium paint consisting of natural pigment, water, a binding agent (usually gum arabic or dextrin), [1] and sometimes additional inert material. Gouache is designed to be opaque. Gouache has a long history, having been used for at least twelve ...
The La Brea Theatre, also known as Chotiner's La Brea, Fox La Brea, Art La Brea and Toho La Brea was a single-screen movie theater in Los Angeles, California at 857 S. La Brea Avenue. The theatre was notable for being one of the few movie theatres showing Japanese films in the United States after World War II. It was built in the 1920s and had ...
La Brea is an American science fiction drama television series that aired on NBC from September 28, 2021 [1] until February 13, 2024, across 3 seasons and 30 episodes. [2] It was produced by Keshet Studios and Universal Television and created and executive produced by David Appelbaum. The series received mixed reviews from critics.
La Brea (Spanish for "the tar" or "the tar pits") may refer to: Los Angeles. La Brea Avenue; La Brea Bakery; La Brea Tar Pits; Park La Brea, Los Angeles, a large ...
Batoul S'Himi (born 1974 in Asilah, Morocco) is a sculptor whose work often comments on gender inequality and the global struggle for social change. [1] She is best known for her series World Under Pressure in which she created sculptures from pressure cookers and other domestic tools and appliances. [ 2 ]
The Maze (Canada, 1953), Gouache on board, 91 × 121 cm, Bethlem Royal Hospital in London. The Maze is a painting that Canadian artist William Kurelek produced while a patient at Maudsley Hospital in London.
Gouache: Awards: 2008 Joan Mitchell Foundation Painters and Sculptors Grant 2007 United States Artists Fellowship 2002 William H. Johnson Prize 2001 Premio Regione Piemonte (Fondazione Sandretto Re Rebaudengo Per L’Arte, Turin, Italy) 2000 ICA Artist Prize (Institute of Contemporary Art, Boston, Massachusetts)
Colson suffered economic hardships in Paris and sales of his works were minimal. [13] Following suggestions from Dominican writer Pedro Henríquez Ureña and Mexican poet Maples Arce, he left for Mexico in 1934 with hopes of improving his situation; there, Colson held a personal exhibition, sponsored by the Secretary of Education and began teaching at the Workers' School of Art. [14]