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Pierre Seriziat in riding dress, 1795. His snug leather breeches have a tie and buttons at the knee and a fall front. The white waistcoat is double-breasted, a popular style at this time. His tall hat is slightly conical. Artist Jean-Baptiste Isabey wears a cropped riding coat and dark breeches tucked into boots. He carries his hat and gloves ...
With the long waistcoat and stockings worn over the knee, very little of the breeches could be seen. A possible reason that the stockings were worn over the knee, was to give the impression of longer legs since the waist coat fell very low, just above the knee. The breeches tended to be of the same material as the coat. The stockings varied in ...
The skirt of the devantiere was split up the back to enable astride riding. [2] By the early 19th century, in addition to describing the whole costume, a devantiere could describe any part of the riding habit, be it the skirt, [2] the apron, [3] or the riding coat. [4] In his diary for June 12, 1666, Samuel Pepys wrote:
The advantage of jodhpurs is that expensive high riding boots are not required to protect the calf of the leg from rubbing against the horse's flank or the stirrup leathers. [7] Kentucky jodhpurs Kentucky jodhpurs are full-length riding pants used exclusively in saddle seat style riding. Like hunt seat jodhpurs, they are close-fitting from ...
He wears a tricorne and tall black riding boots, 1730s. Man playing cards wears a tricorne. His long brown wig (or possibly hair) is tied back with a black ribbon. His plain coat has deep cuffs. Dutch gentleman of 1736 wears a collarless grey coat with deep cuffs and a long waistcoat, both lined in sky blue, with matching breeches. His black ...
1830s fashion plate shows the small, high waist that was the ideal of French fashion in the 1830s. Frock coat (left) and morning coat (right). Frederik Sødring wears a brocade waistcoat with a high black velvet shawl collar. The front flap of his fall-front trousers can be seen clearly in this 1832 portrait.
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