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[2] [3] The song describes the Christian doctrine of grace and justification by faith articulated in Paul's Letter to the Romans in Romans 5:1-2 and 14-16. [4] The last line of the refrain, "Grace that is greater than all our sin!", and also the second line of the first verse, "Grace that exceeds our sin and our guilt!", both reflect Romans 5 ...
Beloved, do not avenge yourselves, but rather give place to wrath; for it is written, "Vengeance is Mine, I will repay," says the Lord. — Romans 12:19, New King James Version [ 46 ] Part of this verse – "I will repay" or in older translations "vengeance is mine" ("Vengeance is mine, and recompense", in the English Standard Version ) – is ...
Psalm 94 is the 94th psalm of the Book of Psalms, beginning in English in the King James Version: "O LORD God, to whom vengeance belongeth".In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 93.
Hyper-Grace is characterized by holding to eternal security with a high emphasis on divine grace. Hyper-Grace advocates hold that the believer is not under the Mosaic law in any sense, that one's sinful actions cannot hurt fellowship with God, denies the necessity of regular confession of sin in the life of a believer and holds to the belief ...
In contrast to the lyrics of the soldiers’ song, her version links the Union cause with God's vengeance at the Day of Judgment (through allusions to biblical passages such as Isaiah 63:1–6, Revelation 19 and Revelation 14:14–19). Julia Ward Howe was married to Samuel Gridley Howe, a scholar in education of the blind. Both Samuel and Julia ...
As an example, Psalm 69:24 states toward God, "Pour out Your indignation on them, and let Your burning anger overtake them." The Psalms ( Tehilim , תהילים , or "praises"), considered part of both Hebrew and Christian Scripture , served as ancient Israel 's " psalter " or " hymnbook ", which was used during temple and private worship .
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Saint Veronica and the Veil of Veronica miraculously imprinted with the face of Jesus. Hans Memling, about 1470 (National Gallery of Art, Washington, D.C.). Vindicta Salvatoris (In English: The Avenging of the Saviour or The Vengeance of the Saviour) is a text of New Testament Apocrypha that expands the story of the aftermath of Jesus's execution.