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Boom arms are offered both in fixed length and adjustable (telescoping) lengths. Another handy device for adjusting microphone placement is a flexible goose neck tube. Made of a spiral-wound core of steel, goosenecks are made in various lengths and finishes and provide the ability to make minute changes in microphone position.
In cinematography, a jib is any boom device used to mount a camera on one end, and a counterweight with camera controls on the other. [1] In principle, it operates like a see-saw, with the balance point located closer to the counterweight, which allows the end of the arm with the camera to move through an extended arc.
Radio station WBNI-FM with four SM7s on boom arms. Shure designed the Unidyne microphone element in 1939, then greatly improved it in 1959, based on research and development by Shure engineer Ernie Seeler.
The principal responsibility of the boom operator is microphone placement, usually using a boom pole (or "fishpole") with a microphone attached to the end (called a boom mic), their aim being to hold the microphone as close to the actors or action as possible without allowing the microphone or boom pole to enter the camera's frame. [1]
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