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There are other common rhythms found in salsa music: the chord beat, the tumbao, and the Montuno rhythm. The chord beat (often played on cowbell) emphasizes the odd-numbered counts of salsa: 1, 3, 5 and 7 while the tumbao rhythm (often played on congas) emphasizes the "off-beats" of the music: 2, 4, 6, and 8.
When the rhythm and music are 'in clave,' a great natural 'swing' is produced, regardless of the tempo. All musicians who write and/or interpret Cuban-based music must be 'clave conscious,' not just the percussionists. [19] Salsa is a potent expression of clave, and clave became a rhythmic symbol of the musical movement, as its popularity spread.
Rhythms del Mundo is a nonprofit collaborative album, which fuses an all-star cast of Cuban musicians including Ibrahim Ferrer and Omara Portuondo of the Buena Vista Social Club with tracks from US, UK and Irish artists such as Dido, Arctic Monkeys, U2, Coldplay, Sting, Jack Johnson, Maroon 5, Franz Ferdinand, Kaiser Chiefs and others.
The clave pattern is also found in the African diaspora music of Haitian Vodou drumming, Afro-Brazilian music, African-American music, Louisiana Voodoo drumming, and Afro-Uruguayan music . The clave pattern (or hambone, as it is known in the United States) is used in North American popular music as a rhythmic motif or simply a form of rhythmic ...
Venezuelan calypso music (including Calypso de El Callao), imported from Trinidad in the 1880s by immigrants arriving during a gold rush, has its own distinctive rhythms and lyrical style. Another imported genre is Cuban -American salsa , which has produced several domestic superstars, including Oscar D'Leon .
Based on Cuban music in rhythm, tempo, bass line, riffs and instrumentation, Salsa represents an amalgamation of musical styles including rock, jazz, and other Latin American musical traditions. Modern salsa (as it became known worldwide) was forged in the pan-Latin melting pot of New York City in the late 1960s and early 1970s.
Salsa romántica (Spanish of 'romantic salsa') is a soft form of salsa music that emerged between the mid-1980s and early 1990s in New York City, Puerto Rico, and the Dominican Republic. It has been criticised for it being supposedly a pale imitation of "real" salsa, often called " salsa dura ".
Salsa has been a hugely popular style in Central and West Africa since the 1940s to 1950s, and the goal of Africando was to merge salsa rhythms from both sides of the Atlantic, mainly based on the African salsa tradition. Africando was initiated by producer Ibrahima Sylla from Côte d'Ivoire and Malian arranger Boncana Maiga of Fania All Stars.