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This one-hour Abraham Lincoln documentary used period photographs, illustrations, artwork, newspapers and documents "animated" by the camera on an elaborate flatbed motion picture apparatus, and the descriptive term "stills in motion" for the technique was used in NBC's publicity and in the trade by the early 1960s.
Still motion is a method of displaying many images one after another as frames, using the technique of "frame-by-frame", similar to the concept of stop motion. The difference between this and stop motion, however, is that still motion is not a method of animation and therefore, each frame does not have to be related in any way.
A cinemagraph; the grass in the foreground is moving slightly. Cinemagraphs are still photographs in which a minor and repeated movement occurs, forming a video clip.They are published as an animated GIF or in other video formats, and can give the illusion that the viewer is watching an animation.
An example of computer animation which is produced from the "motion capture" techniqueComputer animation is the process used for digitally generating moving images. The more general term computer-generated imagery (CGI) encompasses both still images and moving images, while computer animation only refers to moving images.
The technique is a variation of the Ken Burns effect, which has often been used in documentary films to add motion to still imagery, but rarely as a standalone animated production. Other music videos featuring cutout animation include Skindred 's " Pressure " (2006), [ citation needed ] Serj Tankian 's " Lie Lie Lie " (2007), [ citation needed ...
A zoetrope is a pre-film animation device that produces the illusion of motion, by displaying a sequence of drawings or photographs showing progressive phases of that motion. A zoetrope is a cylindrical variant of the phénakisticope , an apparatus suggested after the stroboscopic discs were introduced in 1833.
Image credits: Photoglob Zürich "The product name Kodachrome resurfaced in the 1930s with a three-color chromogenic process, a variant that we still use today," Osterman continues.
CGI still struggles to be 100% photorealistic, and the time and cost to achieve photo-realistic shots far exceeds the cost of shooting the live action itself. With the resurgence of 3D as a medium motion control has also an important role to play, especially in the production of 3D background plates on scaled-sets.
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