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A Sportsman's Sketches (Russian: Записки охотника, romanized: Zapiski ohotnika; also known as A Sportman's Notebook, The Hunting Sketches and Sketches from a Hunter's Album) is an 1852 cycle of short stories by Ivan Turgenev. It was the first major writing that gained him recognition.
Spasskoye-Lutovinovo, Turgenev's estate near Oryol. Ivan Sergeyevich Turgenev was born in Oryol (modern-day Oryol Oblast, Russia) to noble Russian parents Sergei Nikolaevich Turgenev (1793–1834), a colonel in the Russian cavalry who took part in the Patriotic War of 1812, and Varvara Petrovna Turgeneva (née Lutovinova; 1787–1850).
Ivan Turgenev, 1872. The film was based in part on a story by Ivan Turgenev, a 19th-century Russian scholar and novelist, but was adapted to incorporate the folk story of Pavlik Morozov, a supposed Young Pioneer glorified by Soviet Union propaganda as a martyr. [6]
Le dernier sorcier (The Last Sorcerer) is a chamber opera in two acts with music composed by Pauline Viardot to a French libretto by Ivan Turgenev.It was first performed privately on 20 September 1867 at the Villa Turgenev in Baden-Baden and received its first public performance at the Court Theatre in Weimar on 8 April 1869 (in German translation as Der letzte Zauberer).
Torrents of Spring, also known as Spring Torrents (Russian: Вешние воды Veshniye vody), is an 1872 novella [2] by Ivan Turgenev.It is highly autobiographical in nature, and centers on a young Russian landowner, Dimitry Sanin, who falls deliriously in love for the first time while visiting the German city of Frankfurt.
A Month in the Country (Russian: Месяц в деревне, romanized: Mesiats v derevne) is a play in five acts by Ivan Turgenev, his only well-known work for the theatre. [1] Originally titled The Student , it was written in France between 1848 and 1850 and first published in 1855 as Two Women .
Fortune's Fool (Russian: Нахлебник Nakhlebnik) is a play by Ivan Turgenev. Plot ... 2002 at the Music Box Theatre, where it ran for 127 performances.
Turgenev had long meditated On the Eve, wishing to represent a new type of idealistic but self-sacrificing heroine whom he eventually embodied in Elena.Following its long gestation, the book was written in a few months and first appeared in 1859 in the Moscow magazine The Russian Messenger, where it aroused interest but not universal approval.