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Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.
In it he outlines the following plot elements and ties it to a drawing, [58] following Whitcomb's prescriptions: Incident, emotion, crisis, suspense, climax, dénouement, conclusion. He does not make an accompanying diagram with any of these elements, but does argue that the line of emotion is important to stories on page 198.
The term plot can also serve as a verb, as part of the craft of writing, referring to the writer devising and ordering story events. (A related meaning is a character's planning of future actions in the story.) The term plot, however, in common usage (e.g., a "film plot") more often refers to a narrative summary, or story synopsis.
Pancha Bhuta (/pəɲt͡ʃəbʱuːt̪ᵊ/ ,Sanskrit: पञ्चभूत; pañca bhūta), five elements, is a group of five basic elements, which, in Hinduism, is the basis of all cosmic creation. [1]
A plot plan. A site plan or a plot plan is a type of drawing used by architects, landscape architects, urban planners, and engineers which shows existing and proposed conditions for a given area, typically a parcel of land which is to be modified. Sites plan typically show buildings, roads, sidewalks and paths/trails, parking, drainage ...
The Fifth Element holds a 71% approval rating at Rotten Tomatoes, based on 68 reviews, with an average score of 6.4/10. The site's consensus reads: "Visually inventive and gleefully over the top, Luc Besson's The Fifth Element is a fantastic piece of pop sci-fi that never takes itself too seriously."
The dramatistic pentad forms the core structure of dramatism, a method for examining motivations that the renowned literary critic Kenneth Burke developed. Dramatism recommends the use of a metalinguistic approach to stories about human action that investigates the roles and uses of five rhetorical elements common to all narratives, each of which is related to a question.
Citing Boccaccio’s The Decameron, this essay espouses a structural analysis of plot. [11] Boccaccio’s narratives move from one state of equilibrium, [11] or ecological balance, to another. This plot type comprises “the imaginary universe of [a] book”, [12] Todorov argues, wherein culture, nature, society and subjectivity intersect. [11]