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  2. Swaralipi - Wikipedia

    en.wikipedia.org/wiki/Swaralipi

    In the notation of Indian rāga, a solfege-like system called sargam is used. As in Western solfege, there are names for the seven basic pitches of a major scale ( Shadja, Rishabh, Gandhar, Madhyam, Pancham, Dhaivat and Nishad , usually shortened Sa Re Ga Ma Pa Dha Ni).

  3. List of film songs based on ragas - Wikipedia

    en.wikipedia.org/wiki/List_of_film_songs_based...

    Hindi: Ābhēri/ Bhimpalasi: Khilte Hain Gul Yahan [TH - A Raga's Journey 1] Sharmeelee: Sachin Dev Burman: Kishore Kumar & Lata Mangeshkar: Hindi: Ābhēri/ Bhimpalasi: Khoya Khoya Chand [TH - A Raga's Journey 1] Kala Bazar: Mohammed Rafi: Hindi: Ābhēri / Bhimpalasi: Man Mor Hua Matavala Afsar(1948 film) S. D. Burman: Suraiya: Hindi ...

  4. Keherwa - Wikipedia

    en.wikipedia.org/wiki/Keherwa

    The popular Hindi film song, Rang Barse Bhige Chunar Wali from Silsila (1981), is also set in Keherwa by film's music composers duo, Shiv-Hari, who are noted classical musicians. [2] The contemporary traditional Eid al-Fitr song for Bengali Muslims , O Mon Romzaner Oi Rozar Sheshe , is also set in Keherwa rhythm.

  5. Khamas (raga) - Wikipedia

    en.wikipedia.org/wiki/Khamas_(raga)

    According to Muthuswami Dikshitar school of music, Khamas is a sampurna raga with no zig-zag notes (no vakra usage). [1] [2] Khamāj (खमाज) of Hindustani Music closely resembles Khamas raga. The Hindi film song ‘Tere Mere Milan Ki’ from the movie Abhimaan is based on Khamaj. [3]

  6. Hameer - Wikipedia

    en.wikipedia.org/wiki/Hameer

    Hameer is a nocturnal Hindustani classical raga nominally placed in Kalyan thaat.All the (shuddha swaras (natural notes) along with (teevra madhyam are used in it.Generally, its vaadi swar (the most used, principal note of a raga on which a pause may be taken) is dhaivat and the samavaadi swar (the second-most used important note assisting the vaadi swar) is gandhar.

  7. Sankarabharanam (raga) - Wikipedia

    en.wikipedia.org/wiki/Sankarabharanam_(raga)

    Śaṃkarābharaṇaṃ scale with shadjam at C. It is the 5th rāga in the 5th Chakra Bāṇa.The mnemonic name is Bāṇa-Ma.The mnemonic phrase is sa ri ga ma pa da ni sa [1] Its ārohaṇa-avarōhaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms):

  8. Sargam notes - Wikipedia

    en.wikipedia.org/wiki/Sargam_notes

    The same notes are also used in South Indian Carnatic music. The notes, or swar, are Shadj, Rishabh, Gandhara, Madhyam, Pancham, Dhaivat, Nishad. When singing these become Sa, Re, Ga, Ma, Pa, Dha, Ni, and sargam stands for "Sa-Re-Ga-Ma". Only these syllables are sung, and further designations are never vocalized.

  9. Shivaranjani - Wikipedia

    en.wikipedia.org/wiki/Shivaranjani

    Shivaranjani or Sivaranjani is a musical scale used in Indian classical music. There are two scales, one in Hindustani music and one in Carnatic music.The Hindustani rāga is a pentatonic scale, [1] as is the Carnatic scale categorized as Audava-Audava (audava meaning 'of 5') resulting in 5 notes in the Arohanam and 5 in the Avarohanam.