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Korean pottery developed a distinct style of its own, with its own shapes, such as the moon jar or Buncheong sagi which is a new form between earthenware and porcelain, white clay inlay celadon of Goryeo, and later styles like minimalism that represents Korean Joseon philosophers' idea.
A revival of Goryeo celadon pottery began in the early 20th century. Playing a leading role in its revival in South Korea was Yu Geun-Hyeong, a Living National Treasure whose work was documented in the 1979 short film, Koryo Celadon. North Korean potter U chi-son separately recreated Goryeo celadon pottery. [17]
Celadon (/ ˈ s ɛ l ə d ɒ n /) is a term for pottery denoting both wares glazed in the jade green celadon color, also known as greenware or "green ware" (the term specialists now tend to use), [1] and a type of transparent glaze, often with small cracks, that was first used on greenware, but later used on other porcelains.
Celadon Incense Burner from the Korean Goryeo Dynasty (918-1392), with kingfisher color glaze. Pottery during the Goryeo dynasty reached very high levels of refinement. The kilns at Buan-gun in North Jeolla Province produced earthenware while the Ganjingun kilns produced celadon wares. The kiln sites are important today because they are the ...
Kim Se-yong (Korean:김세용, Hanja:世昌 金世龍; born 1946) is a South Korean ceramist and C.E.O of Sechang Artistic Ceramic Institute. [1] He is known for his celadon style on ceramics based upon the traditional Goryeo wares.
Buncheong (Korean: 분청), or punch'ong, ware is a traditional form of Korean stoneware, with a blue-green tone. Pieces are coated with white slip (ceramics), and decorative designs are added using a variety of techniques. This style originated in the 15th century and continues in a revived form today.
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