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Fashion in 15th-century Europe was characterized by a surge of experimentation and regional variety, from the voluminous robes called houppelandes with their sweeping floor-length sleeves to the revealing giornea of Renaissance Italy. Hats, hoods, and other headdresses assumed increasing importance, and were draped, jeweled, and feathered.
English opulence, Italian reticella lace ruff, (possibly) Polish ornamentation, a French farthingale, and Spanish severity: The "Ermine Portrait" of Elizabeth I. Fashion in the period 1550–1600 in European clothing was characterized by increased opulence.
The association of France with fashion and style (la mode) is widely credited as beginning during the reign of Louis XIV [5] when the luxury goods industries in France came increasingly under royal control and the French royal court became, arguably, the arbiter of taste and style in Europe. The rise in prominence of French fashion was linked ...
French citizens on all levels of society were obligated to wear the blue, white and red of the French flag on their clothing, often in the form of the pinned the blue-and-red cockade of Paris onto the white cockade of the Ancien Régime, thus producing the original cockade of France. Later, distinctive colours and styles of cockade would ...
Images from a 14th-century manuscript of Tacuinum Sanitatis, a treatise on healthful living, show the clothing of working people: men wear short or knee-length tunics and thick shoes, and women wear knotted kerchiefs and gowns with aprons. For hot summer work, men wear shirts and braies and women wear chemises. Women tuck their gowns up when ...
Underclothes consisted of an inner tunic (French chainse) or shirt with long, tight sleeves, and drawers or braies, usually of linen. Tailored cloth leggings called chausses or hose, made as separate garments for each leg, were often worn with the tunic; striped hose were popular. [1]
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