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A small eight-point star in the center of a bigger eight-point star. The lines making up the star have a dotted or stippled texture. [24] Vintage This pattern consists of a wreath of grapes and leaves around a flower in the center. The base is the shape of a dome. Unlike the Fenton Vintage design, this pattern is closer to the center and has ...
The primary characteristics of early English glass are deep rich colours, particularly deep blues and ruby reds, often with a streaky and uneven colour, which adds to their appeal; their mosaic quality, being composed of an assembly of small pieces; the importance of the iron work, which becomes part of the design; and the simple and bold style of the painting of faces and details.
In the Stained Glass Museum at Ely is a design for a three light stained glass window for St Matthew's Church, Surbiton. The centre light shows the Virgin Mary and the Jesus Child. The outer lights shows angels, one holds a spear pointed at the large serpent which appears at the bottom of the three lights. This was executed in around 1920.
The term stained glass is also applied enamelled glass in which the colors have been painted onto the glass and then fused to the glass in a kiln. Stained glass, as an art and a craft, requires the artistic skill to conceive an appropriate and workable design, and the engineering skills to assemble the piece. A window must fit snugly into the ...
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
Richard Joseph King (Rísteard Ó Cíonga; 7 July 1907–17 March 1974) [2] was an Irish stained glass artist and illustrator. He was born in Castlebar, County Mayo, Ireland, where his father was a sergeant in the Royal Irish Constabulary.
Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
Irving Amen (1918-2011), stained glass; Gary Beecham (b. 1955) Howard Ben Tré (1949-2020) Martin Blank (b. 1962) Granite Calimpong (b. 1982) Jean-Pierre Canlis (b. 1973) Frederick Carder (1863-1963) Ed Carpenter (b. 1946) Dale Chihuly (b. 1941) Deborah Czeresko (b. 1961) Dan Dailey (b. 1947) Fritz Dreisbach (b. 1941) Robert C. Fritz (1920-1986 ...
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