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Arabic Melody for cello and piano, Op. 4 No. 5; from Five Romances (songs) (1882–85) Elegy in D flat major for cello and piano (Une Pensee a F. Liszt), Op. 17 (1888) Two Pieces for cello and piano, Op. 20A (1888) (Melodie; Spanish Serenade) Chant du Ménestrel for cello and piano, Op. 71 (1900) Reinhold Glière. Ballade
The Cello Music Collection of the University of North Carolina at Greensboro violoncello, cello, manuscript: The largest single holding of cello music–related materials in the world, including annotated sheet music (manuscript and published), monographs, serials, audio/video recordings, personal papers, and artifacts associated with noted ...
This is a compilation of pieces for cello and pipe organ. See also the entries on cello and the List of compositions for cello and orchestra, List of compositions for cello and piano and List of solo cello pieces. Ordering is by surname of composer.
A cello sonata is piece written sonata form, often with the instrumentation of a cello taking solo role with piano accompaniment. [1] Some of the earliest cello sonatas were composed in the 18th century by Francesco Geminiani and Antonio Vivaldi, and since then other famous cello sonatas have grown to those by Johannes Brahms, Ludwig van Beethoven, and Sergei Rachmaninoff among others.
In 1880, having completed his First Piano Quartet, Fauré began work on a cello sonata. His frequent practice was to compose the slow movement of a work first, and he did so for the new sonata. [1] The completed movement was probably premiered at the salon of Camille Saint-Saëns in June 1880. The movement, like the quartet, is in the key of C ...
Schumann turned to chamber music on the smaller scale; all the chamber music of this period was for piano and one or two other instruments. Schumann composed three duets, the first he ever completed, in 1849: the Five Pieces, the Adagio and Allegro for Horn and Piano and the Fantasiestücke for Clarinet, Op. 73.
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