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The psalms were sung antiphonally or responsively, perhaps by the priest and congregation, or by two choruses. According to Shiloah, most of the customs and ceremonies mentioned earlier, such as weddings or other celebrations, were accompanied by music made by women and attests to the importance of women's songs.
According to Bible exegete Saadia Gaon (882–942) who served in the geonate of Babylonian Jewry, the Psalms were originally sung in the Temple precincts by the Levites, based on what was prescribed for each psalm (lineage of the singers, designated time and place, instruments used, manner of execution, etc.), but are permitted to be randomly ...
Even then, the psalms were not completely replaced by original hymns. [ 1 ] : 40 During the Protestant Reformation , new church music was written in order to revive the practice of congregational singing, which had been replaced by the singing of monastic choirs in Latin.
This explains the remark in II Chronicles 5:13 that at the dedication of the Temple the playing of the instruments, the singing of the Psalms, and the blare of the trumpets sounded as one sound. Probably the unison of the singing of Psalms was the accord of two voices an octave apart. This may explain the terms al alamot and al ha-sheminit.
The expansion of the neoclassical movement in England led to an evolution in the singing of psalms. These changes found their way to America and subsequently new psalm versions were written. In the early part of the 18th century, several updated psalms, notably those written by Tate and Brady and by Isaac Watts, were published.
The Grail Psalms were already popular before the Second Vatican Council revised the liturgies of the Roman rite.Because the Council called for more liturgical use of the vernacular instead of Latin, and also for more singing and chanting (as opposed to the silent Low Mass and privately recited Divine Office, which were the predominantly celebrated forms of the Roman rite before the Council ...
The New Catholic Encyclopedia points out that not only the psalm but also the gradual and alleluia were also originally 'responsorial' chants. [3] [4] "The title 'responsorial psalm' is not given because there is a response or antiphon for the people to sing. The 'response' referred to is the reflection of the assembly on the proclamation of ...
Only psalm texts were allowed to be sung. Versified psalms had to lean closely on the biblical text. The singing had to be unanimous. The tunes were not allowed to exceed the size of an octave. Melismas were not allowed. Only two basic values were allowed for the rhythm (one beat and two beats, quarter note and half note in today's notation ...