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  2. Danaë (Artemisia Gentileschi) - Wikipedia

    en.wikipedia.org/wiki/Danaë_(Artemisia_Gentileschi)

    Art historians have debated this portrayal of Danaë, with some noting an open, inviting posture, while others observe the clenched fist and closed legs. [5] Some scholars believe this painting refers directly to the rape the artist endured a few years prior, [3] while others argue that she rather had a sympathy for women victimized by unwelcome sexual pressures.

  3. Female self-portrait in painting - Wikipedia

    en.wikipedia.org/wiki/Female_self-portrait_in...

    There are many examples of women artists under deleterious marital influence in the history of art, and one of them is illustrated in painting by the self-portrait of Maria Cosway made in 1787. Trained in Italy, Maria Luisa Caterina Cecilia Hadfield made a first portrait on a traditional model.

  4. Artemisia Gentileschi - Wikipedia

    en.wikipedia.org/wiki/Artemisia_Gentileschi

    This is evident in her allegorical self portrait, Self Portrait as "La Pittura", which shows Artemisia as a muse, "symbolic embodiment of the art" and as a professional artist. [ 60 ] Before Artemisia, between the end of the 1500s and the beginning of 1600s, other women painters had successful careers, including Sofonisba Anguissola (born in ...

  5. Self-Portrait (Artemisia Gentileschi) - Wikipedia

    en.wikipedia.org/wiki/Self-Portrait_(Artemisia...

    The Self Portrait of Italian baroque artist Artemisia Gentileschi was painted in the early 1630s. It currently hangs in the Palazzo Barberini, Rome. It is one of many paintings where Gentileschi depicts herself. Beyond self-portraits, her allegorical and religious paintings often featured herself in different guises.

  6. Self-Portrait as the Allegory of Painting - Wikipedia

    en.wikipedia.org/wiki/Self-Portrait_as_the...

    Self-Portrait as the Allegory of Painting, also known as Autoritratto in veste di Pittura or simply La Pittura, was painted by the Italian Baroque artist Artemisia Gentileschi. The oil-on-canvas painting measures 98.6 by 75.2 centimetres (38.8 in × 29.6 in) and was probably produced during Gentileschi's stay in England between 1638 and 1639.

  7. Giovanna Garzoni - Wikipedia

    en.wikipedia.org/wiki/Giovanna_Garzoni

    Italian Women Artists: from Renaissance to Baroque. (Milano: Skira, 2007). McTighe, Sheila. Foods and the Body in Italian Genre Paintings, about 1580: Campi, Passarotti, Carracci. The Art Bulletin, College Art Association 86 (2004):301–323, doi 10.2307/3177419. Anon. The Flowering of Florence: Botanical Art for the Medici. National Gallery of ...

  8. Self-portraiture - Wikipedia

    en.wikipedia.org/wiki/Self-portraiture

    Self-portraiture, or Autoportraiture is the field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits. [ 1 ] [ 2 ] [ 3 ] Emerging in Antiquity and becoming popular from the Renaissance as an artistic practice, as a specific field of study, self-portraiture is ...

  9. Self-Portrait as Saint Catherine of Alexandria - Wikipedia

    en.wikipedia.org/wiki/Self-Portrait_as_Saint...

    Self-Portrait as Saint Catherine of Alexandria is a 1615–1617 painting by the Italian Baroque artist Artemisia Gentileschi, showing the artist in the guise of Catherine of Alexandria. It is now in the collection of the National Gallery, London , which purchased it in 2018 for £3.6 million, including about £2.7 million from its American ...

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